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【Tags Machigerita-P Miku tC A】 Original Music title 甘き死の柩 English music title Coffin of Sweet Death Romaji music title Amaki Shi no Hitsugi Music Lyrics written, Voice edited by マチゲリータP (Machigerita-P) Music arranged by マチゲリータP (Machigerita-P) Singer(s) 初音ミク (Hatsune Miku) Append Click here for the original Japanese Lyrics English Lyrics (translated by animeyay): The girl ran away, fell into a hole, and died. (Alone on the bed, crying, she s having a dream.) In the darkness, the sound of footsteps echoes. (After biting a centipede s tail, something sticky flows from her mouth.) (tarirarira, tarirarira) Reflected on the can of poison (tarirarira, tarirarira) is a scar delineated by a dark red outline. She sleeps into a sweet death. "Completely lost in the forest, I search for you. A princess hands to me a poison apple. The fairyland is so dark, where the beasts howl, so I bit into that apple." (tarirarira, tarirarira) The most beautiful thing in the world (tarirarira, tarirarira) is skin as white as the snow. (sparkly, shiny, sparkly, shiny) Appearing from the other side of the mirror (sparkly, shiny, sparkly, shiny) is an ugly face covered with wrinkles. Sleep into a sweet death? Drowning in the nightmares, the girl, is covered in poison. When the poisonous apple sneers, the sever dwarfs also snicker. "Completely lost in the forest, I search for you. On the bouquet are praises offered to the gods. The color of the roses that are digging into me with their thorns is quite similar to the color of your lips." Completely lost in the forest, he searches for me. He is my princess who s sacrificing his life to press on. I feel happy now that he loved me. However, I didn t realize his love back then. I wish I hadn t died. Romaji lyrics (transliterated by animeyay): shoujo ga nigete, ana ni ochite shinda no yo. (beddo no ue hitori de nakigoe, yume o miru no.) kurayami de hita-hita-hita. (mukade no shippo o kanda o-kuchi kara gunyagunya afurete kuru.) tarirarira, tarirarira. dokuyaku no bin ni hansha shita no wa. tarirarira, tarirarira. akaguroi shiruetto, egaku kizuato. amashi de nemuru. "mayoikonda mori no naka de, kimi o sagasu. doku-ringo o watasu o-hime-sama. otogi no kuni wa kuraku, kemonotachi wa nakiwameite sono ringo o kajitta." tarirarira, tarirarira. sekai de ichiban utsukushii no wa. tarirarira, tarirarira. shirayuki no you na masshiroi hada. kirakirari, kirakirari. kagami no naka kara arawareta no wa. kirakirari, kirakirari. minikuku natta kao, shiwakucha no kao. amashi de nemuru? akumu no naka oborete ita onna no ko wa doku-mamire de, doku-ringo ga warau koro ni shichinin no kobito mo warau. "mayoikonda mori no naka de, kimi o sagasu. hanataba ni wa tamuke no kotoba de. ibara no kizu o eguru hana no iro wa kimi no kuchibiru ni yoku nita iro da ne." mayoikonda mori no naka de, watashi sagasu. inochi o gisei ni aruku ouji-sama. shiawase, watashi no koto aishite ita. kizukenakatta. shinanakereba yokatta. [Machigerita-P, MachigeriitaP, MachigeritaP, Machigeriita-P]
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第1幕 序曲 海岸にあるパシャの宮殿の前 第1場 ベルモンテ一人 Nr. 1 - アリア 【ベルモンテ】 ここでようやくあなたに会えるのか コンスタンツェ!あなたに わが幸せよ! 天よ 願いを叶えたまえ! 私に安らぎを与えたまえ もう一度! 私は耐えてきた この苦しみに おお愛よ!もう十分だ! 私に与えたまえ 今は喜びを 私にもたらしたまえ 今ここに だが どうやって私は宮殿に入ることができるのだろう? - 彼女にどうやって会おう? - どうやって話そう? 第2場 ベルモンテ はしごを抱えたオスミン 彼はそれを宮殿の玄関前に木にもたせ掛け それに登ってイチジクを採っている Nr. 2 - 歌とデュエット 【オスミン】 恋人を見つけた奴は やさしくて誠実な恋人を 報いてやるのさ 千回のキスで その娘の人生を甘いものにするんだぞ その娘の慰め役に 友だちになってやれよ トララレラ トララレラ! 【ベルモンテ】 たぶんこのじいさんに聞けば何か分かるだろう - おい あんた!ここってパシャ・セリムの別邸じゃないのかい? 【オスミン】 (同じように歌う 仕事をしながら) だけどその操はしっかり守っておけよ 鍵をかけて恋人はしまっておくんだぞ なぜってこの浮気者ときたら あらゆる蝶々を捕まえようとするし 飲みたがるんだからな 珍しいワインばかり トララレラ トララレラ! 【ベルモンテ】 おい じいさん ちょっと!あんた聞いてないのか? - ここはパシャ・セリムの宮殿なのかい? 【オスミン】 (彼を見て また振り返って前と同じように歌う) 特に月明かりの下では 友よ しっかり見張っておけよ! しょっちゅう若い王子様とやらがやってきて 言い寄って誘惑するんだ そのバカ女を そしてそうなりゃ 操も おさらばだ! トララレラ トララレラ! 【ベルモンテ】 あんたにもその歌にもうんざりなんだ! もうその歌は聞き飽きたから ちょっと聞いてくれよ 一言だけ! 【オスミン】 こん畜生め どういうつもりだ そんなに腹を立てて偉そうに? 何の用だ?早く言え!わしは行かにゃならんのだ 【ベルモンテ】 ここはパシャ・セリムの宮殿なのかい? 【オスミン】 へっ? 【ベルモンテ】 ここはパシャ・セリムの宮殿なのかい? 【オスミン】 ここはパシャ・セリムの宮殿だよ (去って行こうとする) 【ベルモンテ】 ちょっと待った - - 【オスミン】 待ってらんないんだよ 【ベルモンテ】 一言だけ... 【オスミン】 早く言え!急いでるんだ 【ベルモンテ】 あんた ここに勤めてるのかい 友よ? 【オスミン】 へっ? 【ベルモンテ】 あんた ここに勤めてるのかい 友よ? 【オスミン】 俺はここに勤めてるよ 友よ 【ベルモンテ】 どうしたらペドリロという男と話ができるかな ここにお勤めしてるようなんだが? 【オスミン】 あの悪たれか?首でも括られなきゃならん奴だな? 自分で探せ 会いたきゃな (去って行こうとする) 【ベルモンテ】 (独白) 何て失礼なジジイだ! 【オスミン】 (彼を見て 独白) こいつも同じようなクズ野郎だな 【ベルモンテ】 (彼に) 違うぞ あいつは良い奴だ 【オスミン】 良い奴過ぎて串刺しにしたいくらいだぞ 【ベルモンテ】 本当のあいつを良く知らないんだ 【オスミン】 良く知ってるぞ 今日にも火焙りにしてやりたいくらいな 【ベルモンテ】 いいや 確かに良い奴だ! 【オスミン】 杭で頭をぶちのめしたいくらいにな! (去って行こうとする) 【ベルモンテ】 おい ちょっと待ってくれ! 【オスミン】 これ以上何の用がある 【ベルモンテ】 いや もしできることなら... 【オスミン】 (皮肉に冷笑して) わざわざ遠くからやってきて この家のまわりをうろついて そして娘っ子を盗みたいってか? 消え失せろ お前らのような奴は ここには用はない 【ベルモンテ】 あんた 何かに取りつかれたのか! 腹を立てて喋るなんて 私にそんなに厚かましく 面と向かって! 【オスミン】 そんなにムキになるな! 【ベルモンテ】 そんな言い方ないだろ 【オスミン】 お前の素性は知れてる 【ベルモンテ】 脅かすつもりか 【オスミン】 地獄にでも落ちやがれ - 【ベルモンテ】 こいつぁ間違いない - <一緒に> 【オスミン】 とっとと消え失せるんだ さもなきゃ 容赦なく 鞭を食らわしてやる まだお前に時間は残してやるが (彼を押しのける) 【ベルモンテ】 あんた 頭が変なんだ! 何て態度をしてる 人が物を尋ねてるのに! もっと頭を冷やせよ (去って行く) 第3場 オスミン、その後ペドリロ 【オスミン】 一人で あんな悪党 こっぴどくとっちめてやりたいぞ ペドリロと同じくな あのコソ泥も昼も夜もすることと言えば わしの女どものまわりをコソコソとうろついては嗅ぎ回ることばかりだ 何でもやつのくちばしが突っ込めそうなところに だがわしは仕事中にも奴をしっかり見張っとるから いずれ棍棒の嵐をお見舞いしてやるぞ 奴の胸倉をひっ捕まえてだ! - もし奴があんなにパシャに取り入ってなかったなら とっくに奴は首を絞められてたことだろうに 【ペドリロ】 おい どうしたオスミン?パシャはまだ戻ってないのかい? 【オスミン】 知りたきゃ自分で確かめやがれ 【ペドリロ】 またいつもみたく荒れてるな? - おいらのためにこのイチジクを摘んでくれたのか? 【オスミン】 くたばりやがれ この呪われた寄生虫め! 【ペドリロ】 おいらが一体あんたに何をしたってんだよ いつもおいらに喧嘩腰でさあ おい仲良くしようじゃないか 【オスミン】 貴様と仲良くだと?忍び寄って悪さをする狼藉者で、わしをへこませようといつも機会を窺ってる奴とか?わしは貴様を窒息させてやりたいぞ! - 【ペドリロ】 何でそんなこと言うんだよ? 何でさ? 【オスミン】 なんでかって? - わしはお前に我慢ならんのだ Nr. 3 - アリア 【オスミン】 このどこの馬の骨とも分からん馬鹿野郎は 女のあとばかり追いかけてるが わしは悪魔にかけても気にくわん なぜなら そいつのすることと言えば わしらのすることを窺ってるだけだからな だがわしは騙されんぞ その面相には 貴様の落とし穴は 貴様のたくらみは 貴様のごまかしは 貴様の仕掛けはな みんなわしには筒抜けだ わしを騙すつもりなら もっと早起きするんだな わしはとっくにお見通しだ だからな 預言者様の髭にかけて! わしは昼も夜も研究を続けて 覚悟しとけよ いつかお前を殺してやる どれほどお前が注意していようともな 【ペドリロ】 何てひどいことを言うんだよ おいら あんたに何もしてないだろ 【オスミン】 お前は兇悪な面をしてやがる それで十分だ まずは首を刎ね それから吊るして それから串刺しだ 焼けた杭で それから焼いて それから縛って 水に浸けて 最後は皮を剥いでやる (屋敷の中に入る) 第4場 ペドリロ、その後ベルモンテ 【ペドリロ】 一人で 行っちまえ 呪われた番犬め 安心するのはまだ早いぞ 誰に分かるってんだ 他人の裏をかこうって奴が誰なのかを そして疑り深くて人を馬鹿にする奴の落とし穴を掘るのはおいらにとっては楽しみなんだからな 【ベルモンテ】 ペドリロ おいペドリロ! 【ペドリロ】 ああおいらのご主人さま!まさかこんなことが?本当にあなた様なんですか?ブラボー 幸運の女神よ ブラボー!これが約束を守るってことだ!諦めてたんですよ おいらの手紙はひとつも届かなかったんじゃないかって 【ベルモンテ】 教えてくれペドリロ 私のコンスタンツェはまだ生きているのか? 【ペドリロ】 生きてます そしてまだおいらも希望をもってます あなた様のおかげでね あの恐ろしい日 運命がひどいいたずらをして おいらたちの乗った船が海賊に襲われた日から おいらたちはたくさんの苦難を味わってきました 幸いなことにパシャ・セリムがおいらたち全員を買ってくれたんです:あなたのコンスタンツェさまと おいらのブロンデ それにおいらを 彼はすぐに彼の別邸においらたちを連れてきました そしてコンスタンツェさまは彼の寵愛を受けるようになったんです - 【ベルモンテ】 ああ!何を言っているんだ? 【ペドリロ】 いや そんな熱くならんでくださいよ!まだ最悪なことにはなってないんですから パシャは背教者でその上とってもデリケートなんです どの愛人にも自分の愛を無理強いすることはないし おいらの知る限りでは 彼はまだ途方もない紳士のままなんです 【ベルモンテ】 そんなことが可能なのか?コンスタンツェはまだ貞節なのだろうか? 【ペドリロ】 もちろんですとも 旦那!だけどおいらのブロンデについて言やあ 天のみぞ知るですよ!あの可哀そうな子はやつれ果ててる バシャが彼女を与えた老いぼれの不細工野郎のところでね おそらくは - ああ、おいら考えたくもないや! - 【ベルモンテ】 そりゃたった今家の中に入っていった老いぼれじゃないのか? 【ペドリロ】 まさにそいつです 【ベルモンテ】 それであいつはバシャのお気に入りなのか? 【ペドリロ】 お気に入りで 番犬で あらゆる悪人共の見本です おいらをその目で睨み殺そうってんですよ もし可能なら 【ベルモンテ】 おいペドリロ!何を言っているんだ? 【ペドリロ】 まあ落ち込まんでください!ここだけの話 おいらもパシャには気に入って貰ってましてね おいらのちょっとしたガーデニングの技が彼のお気に召したようなんです それでおいらはかなり自由にさせてもらってます 他の何千って奴らにはできないようなことでもですよ ここでは彼の愛人が庭にいるときはすべての男は場を外さなきゃなんないんですけど でもおいらは残ることができるし話だってできるんです 彼はそれについては何も言いません 老いぼれのオスミンのうめき声ときたら おいらのブロンデが太守の愛人のお供をする時なんかにゃ 【ベルモンテ】 そんなことが可能なのか?お前は彼女と話したのか? - おお教えてくれ!彼女はまだ私を愛しているだろうか? 【ペドリロ】 フム!お疑いなのですか!おいらは思ってたんですけどね あなた様はとても良くあの善良なコンスタンツェ様をご存じだし 愛の証は十分にお持ちなはずだと - だけどそんなことでぐずぐずしてちゃいけません 問題は何から始めるべきかってことです ここから逃げ出すために? 【ベルモンテ】 おお それならもうすべて準備したぞ!船を一隻 ここの港から少し離れたところに用意している 私たちを合図ひとつで乗せてくれるだろう それから - 【ペドリロ】 ああ 落ち着いて 落ち着いて!それにはまず最初に女の子たちを手に入れなきゃいけません 船に行く前に それはそんなにサクサクとは行きませんよ!思ってるほどには 【ベルモンテ】 おお親愛なる善良なペドリロよ 頼む 彼女に会わせてくれ 話をさせてくれ!心臓は脈打っているのだ 不安と喜びで! - 【ペドリロ】 スマートに事を始めて そしてさっさと片付けるのです そうすればあの老いぼれの番犬を出し抜けるでしょう この辺りに居てください もうすぐパシャが舟遊びから戻ってきます おいらはあなたさまを腕ききの建築家だと彼に紹介しますよ : 建築と庭造りが彼の道楽なんです だけどご主人さま しばらくこらえてください コンスタンツェ様は彼のそばなのですから - 【ベルモンテ】 コンスタンツェが彼のそばだって?何を言っているんだ? 私はあの人に会えるのか? 【ペドリロ】 抑えて 抑えて お願いです!でないとしくじります - ああ あそこにもう彼が近づいて来るのが見えたようだ ちょっと脇へよけていてください おいらは彼を迎えに行きます (出て行く) 第5場 ベルモンテ一人 Nr. 4 -アリア 【ベルモンテ】 コンスタンツェ! - あなたに再び会えるのだ - おお 何と激しく おお 何と燃えるように 鼓動するのだろう 私の愛に満ちた心は! そしてこの再会の涙は 別離の不安な痛みを埋め合わせてくれる すでに私は震え よろめいている すでにふらつき 揺らいでいる 膨れ はちきれそうだ この胸は あれは彼女のささやきか? それは私をとても不安にする あれは彼女の溜息なのか? それは私の頬を火照らせる 私を欺いているのか この愛は これは夢なのか? 【ペドリロ】 (大急ぎで歩いて来て) 急いで 急いで 脇に隠れて! パシャが来ます (ベルモンテ隠れる) 第6場 パシャ・セリムとコンスタンツェは遊覧船に乗って近付いてくる その前に別の船が近衛兵たちの楽隊を乗せて岸についており 兵たちは岸辺に整列してこのようなコーラスを歌い それから去って行く Nr. 5 - 親衛隊のコーラス 【コーラス】 歌え 偉大なるパシャの歌を 響かせよ 燃える歌声を そして岸辺より 明るく響かせよ われらの歌の歓呼を! 【独唱 または二重唱】 1 彼に向かって吹け 涼しい風よ そしてそなたは静まれ 揺れ動く波よ! 2 彼に向かって歌え 飛び交う合唱よ 彼に歌いかけよ 愛の 喜びを その心のうちへと! 【コーラス】 歌え 偉大なるパシャの歌を 響かせよ 燃える歌声を そして岸辺より 明るく響かせよ われらの歌の歓呼を! (親衛隊は退場) 第7場 セリム、コンスタンツェ 【セリム】 いつまで悲しんでおるのか 愛するコンスタンツェよ?いつまで涙にくれておる? - 見よ この美しき夕べを この素晴らしき場所を この心奪う音楽を わしの細やかなそなたへの愛を - 言ってくれ 結局何もそなたの心を安らがせることはなく 最後はかき乱してしまうのだな? - 考えるのだ わしは命令することも 残酷にそなたを扱うことも 無理強いすることもできるのだぞ - (コンスタンツェはため息をつく) 【セリム】 だがそんなことはせぬ コンスタンツェ そなたが自ら進んでその心を捧げてくれることをわしは望んでいるのだ-そなたが自ら- 【コンスタンツェ】 寛大なお方!おおそのように私ができるものでしたら!その御心にお答えすることが - けれど - 【セリム】 さあ コンスタンツェ 言ってくれ 何がそなたをためらわせているのだ? 【コンスタンツェ】 あなたは私をお嫌いになりますわ 【セリム】 いや わしは誓おう そなたも知っておろう どれほどわしがそなたを愛し どれほど多くの自由をそなたに与えておるのかを 多くの女どもを差し置いて そなたをただ一人の女として大切にしておるのを - 【コンスタンツェ】 おお それならばお許しを! Nr. 6 - アリア 【コンスタンツェ】 ああ 私は恋をして とても幸せでした 知りませんでした 愛の痛みは! 貞節を誓いました 愛するお方に 捧げたのです 私のすべての心を: けれど あっという間に私の喜びは消え去り 別れが私の不幸な運命となったのです そして今私の目は涙で濡れて 悲しみが覆っているのです 私の胸を 歌の間 パシャは不機嫌そうにあちこち動き回る 【コンスタンツェ】 ああ 申し上げた通りです あなた様が私をお憎みになると でもお許しを この愛に苦しむ娘をお許しください! - あなた様は本当に寛大で心優しきお方 - 私は喜んであなた様の奴隷となりましょう この命が果てるまで ただこの心だけはお求めにならないでください これは永遠に約束してしまっているのですから - 【セリム】 ハ、恩知らずめ!何をわざわざ願うかと思えば? 【コンスタンツェ】 殺してください セリムさま 私を殺して!ただ誓いを破らせないでください - 海賊が私を恋人の腕から引き離したとき 私は誓ったのです - 【セリム】 やめろ!何も言うな!わしの怒りをこれ以上掻き立てるでない そなたはわしの力の内にあることを忘れるな - 【コンスタンツェ】 もちろんです でもあなた様は私に厳しくはなさいません 私は良く分かっています あなた様の寛大で思いやり深い心を そうでなければできたでしょうか あなた様にこのようなことを打ち明けるなど? - 【セリム】 もてあそぶでない わしの寛大さをそれほどまでに - 【コンスタンツェ】 ただご猶予を私に 殿!ただ時だけを 私の苦しみを忘れるための - 【セリム】 何度もわしはそなたに叶えてやったぞ その願いなら - 【コンスタンツェ】 今一度だけ! 【セリム】 よかろう!これが最後だぞ! - 行け コンスタンツェ 行くがよい!よく考えるのだぞ そして明日には - 【コンスタンツェ】 (去って行きながら) 不幸な娘! おおベルモンテ、ベルモンテ! 第8場 セリム、ペドリロ、ベルモンテ 【セリム】 あの苦しみに あの涙に あの毅然さにわしの心はますます魅了され わしは彼女の愛だけが欲しくなるのだ ハ!誰があのような心に暴力を振るおうと思うであろう?- いいやコンスタンツェ 違うのだ セリムにも心はある セリムは愛を知っているのだ- 【ペドリロ】 殿!お許しください お邪魔することを お考え事の最中に - 【セリム】 何ぞ用か ペドリロ? 【ペドリロ】 この若い男はイタリアで熱心に建築の仕事をしておりましたが あなたさまのご権勢やあなたさまの富のことを聞き及びここにやって参ったのだとか 建築士としてあなたさまにお仕えいたしたいと 【ベルモンテ】 殿!もし私にできましたら幸いでございます 私の低いスキルでありましてもあなた様のお眼鏡にかないましたならば 【セリム】 フム!気に入ったぞ 何ができるのか見てみることとしよう - (ペドリロに) こやつの面倒を気にかけてくれ 明日にはお前を呼びにやるぞ (退場) 第9場 ベルモンテ、ペドリロ 【ペドリロ】 ハ!勝利です 勝利ですよ 旦那さま! 最初のステップを踏み出しました 【ベルモンテ】 ああ 自分を取り戻させてくれ! - 私は彼女に会ったのだ 善良で誠実で最高の乙女に会ったのだ! - おおコンスタンツェ、コンスタンツェ!私は何があなたのためにできるのだろう 何が試せるのだろう? 【ペドリロ】 ハ! 落ち着いて 落ち着いて 旦那さま!声を少し静めてくださいよ 成りすますことが今おいらたちには一番役に立つことなんですからね ここは自分の国じゃないんです ここじゃあみんな首切りの役人に切る首があるかどうかいつも尋ねてるんですから 首の周りにロープをかけるのもここじゃ朝飯みたいなもんですし 【ベルモンテ】 ああ、ペドリロ!お前にも愛が分かったらなあ - 【ペドリロ】 フム!それじゃおいらたちには関係ないみたいじゃないすか おいらにだって恋する時くらいありますよ 他の人と同じようにね 思いませんか おいらにだって腹が痛くもなることはあると おいらのブロンデちゃんがオスミンみたいな老いぼれの悪党に見張られてるのを見てなくちゃならないってのに? 【ベルモンテ】 ああ彼女と話すことができれば - 【ペドリロ】 どうしたらいいか考えましょう おいらと一緒に庭に来てください でも万事丁寧に注意深くね ここじゃあちこちに目と耳ありですからね 彼らは宮殿に入って行こうとする オスミンが門のところに反対から来て彼らを引き止める 第10場 前場の人物 オスミン 【オスミン】 どこへ行く? 【ペドリロ】 中へだよ 【オスミン】 (ベルモンテに) この顔は何もんだ? - 帰れ 帰りやがれ! 【ペドリロ】 ハ 静かにしろい マスター山猿め 静かに!この人はパシャさまにお仕えしてんだぞ 【オスミン】 首切りの家来の方がこいつにゃ向いてるぜ!入るんじゃない! 【ペドリロ】 だからこの人は入らなきゃなんないんだって! 【オスミン】 一歩でも足を踏み入れてみろ - 【ベルモンテ】 無礼な!お前は敬意を払わぬのか 私のような身分の者に? 【オスミン】 おい 貴様の身分が何だってんだ! - 帰れ 帰れ さもなきゃわしは貴様を追い立ててやるぞ 【ペドリロ】 老いぼれの馬鹿野郎!この人は建築家だ バシャさまがお雇いになったんだ 【オスミン】 わしに言わせりゃ こいつは獄吏だ :わしにあんまり近寄るなよ わしに分からんはずがあるか 貴様の一味がわしらをはめる陰謀のカードを切ろうとしておることくらい パシャはバターみたいに柔和だから それに付け込んで貴様らのやりたいようにするつもりだろうか わしは敏感な鼻を持っているのだ 一切合財が策略だろう 貴様のようなごろつきが持っておるのはな 貴様ら狡猾な詐欺師どもはずっと長いことつまらん悪だくみを考えておるんだろう だがちょっと待て! オスミンは眠っておらんぞ わしがパシャなら 貴様らは串刺しだ - ああ!しかめっ面でもしやがれ 笑いやがれ! 【ペドリロ】 そう興奮すんなよ じいさん 何の役にも立ちゃしない 中をちょっと散歩するだけだ 【オスミン】 ハ!したきゃやってみろ! (門の前に立ちはだかる) 【ペドリロ】 邪魔せんでくれ - 【ベルモンテ】 道を開けろ 下郎! Nr. 7 - トリオ 【オスミン】 失せろ!失せろ!失せろ!とっとといなくなっちまえ! さもなきゃ 鞭を お前らに食らわせてやるぞ 【ベルモンテとペドリロ】 おい おい!全く残念だな そんな扱いをしてくれるとはな 【オスミン】 少しでも近付いてみろ 【ベルモンテとペドリロ】 門から離れろ 【オスミン】 一発食らわせてやるからな 【ベルモンテとペドリロ】 中に入りたいんだ (彼らは門から彼を押しのける) 【オスミン】 失せろ 行け! 【ベルモンテとペドリロ】 どいてくれ 失せろ! 【オスミン】 ぶん殴ってやるぞ! 【ベルモンテとペドリロ】 中に入りたいんだ! (彼らは彼を押しのけて中に入る) ERSTER AUFZUG Ouvertüre Platz vor dem Palast des Bassa am Ufer des Meers. ERSTER AUFTRITT Belmonte allein. Nr. 1 - Arie BELMONTE Hier soll ich dich dann sehen, Konstanze! dich mein Glück! Lass Himmel es geschehen! Gieb mir die Ruh zurück! Ich duldete der Leiden O Liebe! allzuviel! Schenk mir dafür nun Freuden Und bringe mich ans Ziel. Aber wie soll ich in den Palast kommen? - wie sie sehen? - wie sprechen? ZWEITER AUFTRITT Belmonte, Osmin mit einer Leiter, welche er an einen Baum vor der Thüre des Palasts lehnt, hinauf steigt und Feigen abnimmt. Nr. 2 - Lied und Duett OSMIN Wer ein Liebchen hat gefunden, Die es treu und redlich meynt, Lohn es ihr durch tausend Küsse, Mach ihr all das Leben süsse, Sey ihr Tröster, sey ihr Freund. Trallalera, trallalera! BELMONTE Vielleicht dass ich durch diesen Alten etwas erfahre. - He, Freund! Ist das nicht das Landhaus des Bassa Selim? OSMIN singt wie zuvor, während der Arbeit Doch sie treu sich zu erhalten, Schliess er Liebchen sorglich ein Denn die losen Dinger haschen Jeden Schmetterling, und naschen Gar zu gern von fremdem Wein. Trallalera, trallalera! BELMONTE He, Alter, he! hört ihr nicht? - Ist hier des Bassa Selim Palast? OSMIN sieht ihn an, dreht sich herum, und singt wie zuvor Sonderlich bey m Mondenscheine, Freunde, nehmt sie wohl in Acht! Oft lauscht da ein junges Herrchen, Kirrt und lockt das kleine Närrchen, Und dann, Treue, gute Nacht! Trallalera, trallalera! BELMONTE Verwünscht seyst du samt deinem Liede! Ich bin dein Singen nun schon müde; So hör doch nur ein einzig Wort! OSMIN Was Henker lasst ihr euch gelüsten, Euch zu ereifern, euch zu brüsten? Was wollt ihr? hurtig! ich muss fort. BELMONTE Ist das des Bassa Selims Haus? OSMIN He? BELMONTE Ist das des Bassa Selims Haus? OSMIN Das ist des Bassa Selims Haus. will fort BELMONTE. So wartet doch - - OSMIN. Ich kann nicht weilen. BELMONTE. Ein Wort ... OSMIN. Geschwind! denn ich muss eilen. BELMONTE Seyd ihr in seinen Diensten, Freund? OSMIN He? BELMONTE Seyd ihr in seinen Diensten, Freund? OSMIN Ich bin in seinen Diensten, Freund. BELMONTE Wie kann ich den Pedrill wohl sprechen, Der hier in seinen Diensten steht? OSMIN Den Schurken? der den Hals soll brechen? Seht selber zu; wenns anders geht. will fort BELMONTE für sich Was für ein alter grober Bengel! OSMIN ihn betrachtend, auch für sich Das ist just so ein Galgenschwengel. BELMONTE zu ihm Ihr irrt, es ist ein braver Mann. OSMIN So brav, dass man ihn spiessen kann. BELMONTE Ihr müsst ihn wahrlich nicht recht kennen. OSMIN Recht gut. Ich liess ihn heut verbrennen. BELMONTE Es ist fürwahr ein guter Tropf! OSMIN Auf einen Pfahl gehört sein Kopf! will fort BELMONTE So bleibet doch! OSMIN Was wollt ihr noch. BELMONTE Ich möchte gerne ... OSMIN bitter höhnisch So hübsch von ferne Ums Haus rum schleichen, Und Mädchen stehlen? Fort, eures gleichen Braucht man hier nicht. BELMONTE Ihr seyd besessen! Sprecht voller Galle Mir so vermessen Ins Angesicht! OSMIN Nur nicht in Eifer! BELMONTE Schont euren Geifer. OSMIN Ich kenn euch schon. BELMONTE Lasst euer Drohn. OSMIN Scheert euch zum Teufel - BELMONTE Es bleibt kein Zweifel - zusammen OSMIN Ihr kriegt, ich schwöre Sonst ohne Gnade Die Bastonade Noch habt ihr Zeit. stösst ihn fort BELMONTE Ihr seyd von Sinnen! Welch ein Betragen Auf meine Fragen! Seyd doch gescheid. ab DRITTER AUFTRITT Osmin, hernach Pedrillo. OSMIN allein Könnt ich mir doch noch so einen Schurken auf die Nase setzen, wie den Pedrillo; so einen Gaudieb, der Tag und Nacht nichts thut, als nach meinen Weibern herum zu schleichen, und zu schnobern, ob s nichts für seinen Schnabel setzt. Aber ich laure ihm sicher auf den Dienst, und wohl bekomm dir die Prügelsuppe, wenn ich dich einmal beym Kanthaken kriege! - Hätt er sich nur beym Bassa nicht so eingeschmeichelt, er sollte den Strick längst um den Hals haben. PEDRILLO Nun, wie stehts, Osmin? Ist der Bassa noch nicht zurück? OSMIN Sieh darnach, wenn du s wissen willst. PEDRILLO Schon wieder Sturm im Kalender? - hast du das Gericht Feigen für mich gepflückt? OSMIN Gift für dich, verwünschter Schmarotzer! PEDRILLO Was in aller Welt ich dir nun gethan haben muss, dass du beständig mit mir zankst. Lass uns doch einmal Friede machen. OSMIN Friede mit dir? mit so einem schleichenden spitzbübischen Passauf, der nur spionirt, wie er mir eins versetzen kann? Erdrosseln möcht ich dich! - PEDRILLO Aber sag nur, warum? warum? OSMIN Warum? - weil ich dich nicht leiden kann. Nr. 3 - Arie OSMIN Solche hergelaufne Laffen Die nur nach den Weibern gaffen, Mag ich vor den Teufel nicht. Denn ihr ganzes Thun und Lassen Ist, uns auf den Dienst zu passen, Doch mich trügt kein solch Gesicht. Eure Tücken, eure Ränke, Eure Finten, eure Schwänke, Sind mir ganz bekannt. Mich zu hintergehen, Müsst ihr früh aufstehen, Ich hab auch Verstand. Drum, beym Barte des Propheten! Ich studiere Tag und Nacht, Ruh nicht, bis ich dich sch tödten, Nimm dich, wie du willst, in acht. PEDRILLO Was bist du für ein grausamer Kerl, und ich hab dir nichts gethan. OSMIN Du hast ein Galgengesicht, das ist genug. Erst geköpft, Dann gehangen, Dann gespiesst Auf heisse Stangen, Dann verbrannt, Dann gebunden Und getaucht; Zuletzt geschunden. geht ins Haus VIERTER AUFTRITT Pedrillo, hernach Belmonte. PEDRILLO allein Geh nur, verwünschter Aufpasser; es ist noch nicht aller Tage Abend. Wer weiss, wer den Andern überlistet; und dir misstrauischem gehässigem Menschenfeinde eine Grube zu graben, sollte ein wahres Fest für mich seyn. BELMONTE Pedrillo, guter Pedrillo! PEDRILLO Ach mein bester Herr! Ist s möglich? Sind Sie s wirklich? Bravo, Madam Fortuna, bravo! das heisst doch Wort gehalten! Schon verzweifelte ich, ob einer meiner Briefe Sie getroffen hätte. BELMONTE Sag, guter Pedrillo, lebt meine Konstanze noch? PEDRILLO Lebt, und noch hoff ich für Sie. Seit dem schrecklichen Tage, an welchem das Glück uns einen so hässlichen Streich spielte, und unser Schiff von den Seeräubern erobern liess, haben wir mancherley Drangsal erfahren. Glücklicher Weise traf sichs noch, dass der Bassa Selim uns alle drey kaufte Ihre Konstanze nämlich, meine Blonde, und mich. Er liess uns sogleich hier auf sein Landhaus bringen. Donna Konstanze ward seine auserwählte Geliebte. - BELMONTE Ah! was sagst du? PEDRILLO Nu, nur nicht so hitzig! Sie ist noch nicht in die schlimmsten Hände gefallen. Der Bassa ist ein Renegat, und hat noch so viel Delikatesse, keine seiner Weiber zu seiner Liebe zu zwingen; und so viel ich weis, spielt er noch immer den unerhörten Liebhaber. BELMONTE Wär es möglich? Wär Konstanze noch treu? PEDRILLO Sicher noch, lieber Herr! Aber wie s mit meinem Blondchen steht, weis der Himmel! das arme Ding schmachtet bey einem alten hässlichen Kerl, dem sie der Bassa geschenkt hat; und vielleicht - ach ich darf gar nicht dran denken! - BELMONTE Doch nicht der alte Kerl, der so eben ins Haus gieng? PEDRILLO Eben der. BELMONTE Und diess ist der Liebling des Bassa? PEDRILLO Liebling, Spion, und Ausbund aller Spitzbuben, der mich mit den Augen vergiften möchte, wenns möglich wäre. BELMONTE O guter Pedrillo! was sagst du? PEDRILLO Nur nicht gleich verzagt! Unter uns gesagt ich hab auch einen Stein im Brete beym Bassa. Durch mein bischen Geschick in der Gärtnerey hab ich seine Gunst weggekriegt, und dadurch hab ich so ziemlich Freyheit, die tausend Andere nicht haben würden. Da sonst jede Mannsperson sich entfernen muss, wenn eine seiner Weiber in Garten kommt, kann ich bleiben; sie reden so gar mit mir, und er sagt nichts darüber. Freylich mault der alte Osmin, besonders, wenn mein Blondchen ihrer Gebieterinn folgen muss. BELMONTE Ists möglich? Du hast sie gesprochen? - O sag, sag! Liebt sie mich noch? PEDRILLO Hm! dass Sie daran zweifeln! Ich dächte, Sie kennten die gute Konstanze mehr als zu gut; hätten Proben genug ihrer Liebe. - Doch damit dürfen wir uns gar nicht aufhalten. Hier ist blos die Frage, wie s anzufangen ist, hier weg zu kommen? BELMONTE O da hab ich für alles gesorgt! Ich hab hier ein Schiff in einiger Entfernung vom Hafen, das uns auf den ersten Wink einnimmt, und - PEDRILLO Ah, sachte, sachte! Erst müssen wir die Mädels haben, ehe wir zu Schiffe gehen; und das geht nicht so husch, husch! wie Sie meynen. BELMONTE O lieber guter Pedrillo, mach nur, dass ich sie sehen, dass ich sie sprechen kann! Das Herz schlägt mir vor Angst und Freude! - PEDRILLO Pfiffig müssen wir das Ding anfangen, und rasch müssen wir s ausführen, damit wir den alten Aufpasser übertölpeln. Bleiben Sie hier in der Nähe. Jetzt wird der Bassa bald von einer Lustfahrt auf dem Wasser zurückkommen. Ich will Sie ihm als einen geschickten Baumeister vorstellen denn Bauen und Gärtnerey sind seine Steckenpferde. Aber lieber goldner Herr, halten Sie sich in Schranken; Konstanze ist bey ihm - BELMONTE Konstanze bey ihm? Was sagst du? Ich soll sie sehen? PEDRILLO Gemach, gemach ums Himmels willen, lieber Herr! sonst stolpern wir - Ah ich glaube, dort seh ich sie schon angefahren kommen. Gehn Sie nur auf die Seite, wenn er kommt; ich will ihm entgegen gehen. geht ab FÜNFTER AUFTRITT Belmonte allein. Nr. 4 -Arie BELMONTE Konstanze! dich wieder zu sehen - - O wie ängstlich, o wie feurig Klopft mein liebevolles Herz! Und des Wiedersehens Zähre Lohnt der Trennung bangen Schmerz. Schon zittr ich und wanke, Schon zag ich und schwanke, Es hebt sich die schwellende Brust Ist das ihr Lispeln? Es wird mir so bange; War das ihr Seufzen? Es glüht mir die Wange; Täuscht mich die Liebe, war es ein Traum? PEDRILLO kömmt hurtig gelaufen Geschwind, geschwind auf die Seite und versteckt! Der Bassa kommt. Belmonte versteckt sich SECHSTER AUFTRITT Der Bassa Selim und Konstanze kommen in einem Lustschiffe angefahren, vor welchem ein anderes Schiff mit Janitscharenmusik voraus landet. Die Janitscharen stellen sich am Ufer in Ordnung, stimmen folgenden Chor an, und entfernen sich dann. Nr. 5 - Chor der Janitscharen CHOR Singt dem grossen Bassa Lieder, Töne, feuriger Gesang; Und vom Ufer halle wieder Unsrer Lieder Jubelklang! EINE ODER ZWO STIMMEN 1 Weht ihm entgegen, Kühlende Winde, Ebne dich sanfter, Wallende Fluth! 2 Singt ihm entgegen, Fliegende Chöre, Singt ihm der Liebe Freuden in s Herz! CHOR Singt dem grossen Bassa Lieder, Töne, feuriger Gesang; Und vom Ufer halle wieder Unsrer Lieder Jubelklang! Janitscharen ab SIEBENTER AUFTRITT Selim, Konstanze. SELIM Immer noch traurig, geliebte Konstanze? immer in Thränen? - Sieh, dieser schöne Abend, diese reizende Gegend, diese bezaubernde Musik, meine zärtliche Liebe für dich - Sag , kann nichts von allem dich endlich beruhigen, endlich dein Herz rühren? - Sieh, ich könnte befehlen, könnte grausam mit dir verfahren, dich zwingen - Konstanze seufzt SELIM Aber nein, Konstanze; dir selbst will ich dein Herz zu danken haben - dir selbst - KONSTANZE Grossmüthiger Mann! o dass ich es könnte! dass ichs erwiedern könnte - aber - SELIM Sag, Konstanze, sag, was hält dich zurück? KONSTANZE Du wirst mich hassen. SELIM Nein, ich schwöre dir s. Du weisst, wie sehr ich dich liebe, wie viel Freyheit ich dir vor allen meinen Weibern gestatte; dich wie meine Einzige schätze - KONSTANZE O so verzeih! Nr. 6 - Arie KONSTANZE Ach, ich liebte, War so glücklich, Kannte nicht der Liebe Schmerz! Schwur ihm Treue Dem Geliebten, Gab dahin mein ganzes Herz Doch wie bald schwand meine Freude, Trennung war mein banges Loos; Und nun schwimmt mein Aug in Thränen, Kummer ruht in meinem Schoos. Während des Gesanges geht der Bassa unwillig hin und her. KONSTANZE Ach, ich sagt es wohl, du würdest mich hassen. Aber verzeih, verzeih dem liebekranken Mädchen! - Du bist ja so grossmüthig, so gut - Ich will dir dienen, deine Sklavinn seyn, bis ans Ende meines Lebens nur verlange nicht ein Herz von mir, das auf ewig versagt ist - SELIM Ha, Undankbare! Was wagst du zu bitten? KONSTANZE Tödte mich, Selim, tödte mich! nur zwinge mich nicht, meineidig zu werden - Noch zuletzt, wie mich der Seeräuber aus den Armen meines Geliebten riss, schwur ich aufs feyerlichste - SELIM Halt ein! nicht ein Wort! Reize meinen Zorn nicht noch mehr. Bedenke, dass du in meiner Gewalt bist - KONSTANZE Ich bin es aber du wirst dich ihrer nicht bedienen, ich kenne dein gutes, dein mitleidvolles Herz. Hätte ichs sonst wagen können, dir das meinige zu entdecken? - SELIM Wag es nicht, meine Güte zu missbrauchen - KONSTANZE Nur Aufschub gönne mir, Herr! Nur Zeit, meinen Schmerz zu vergessen - SELIM Wie oft schon gewährt ich dir diese Bitte - KONSTANZE Nur noch diesmal! SELIM Es sey! zum letztenmale! - Geh, Konstanze, geh! Besinne dich eines Bessern, und morgen - KONSTANZE im Abgehn Unglückliches Mädchen! O Belmonte, Belmonte! ACHTER AUFTRITT Selim, Pedrillo, Belmonte. SELIM Ihr Schmerz, ihre Thränen, ihre Standhaftigkeit bezaubern mein Herz immer mehr, machen mir ihre Liebe nur noch wünschenswerther. Ha! wer wollte gegen ein solches Herz Gewalt brauchen? - Nein, Konstanze, nein, auch Selim hat ein Herz; auch Selim kennt Liebe - PEDRILLO Herr! verzeih, dass ich es wage, dich in deinen Betrachtungen zu stören - SELIM Was willst du, Pedrillo? PEDRILLO Dieser junge Mann, der sich in Italien mit vielem Fleiss auf die Baukunst gelegt, hat von deiner Macht, von deinem Reichthum gehört, und kommt her, dir als Baumeister seine Dienste anzubieten. BELMONTE Herr! könnte ich so glücklich seyn, durch meine geringen Fähigkeiten deinen Beyfall zu verdienen. SELIM Hm! Du gefällst mir. Ich will sehen, was du kannst. - zum Pedrillo Sorge für seinen Unterhalt. Morgen werde ich dich wieder rufen lassen. geht ab NEUNTER AUFTRITT Belmonte, Pedrillo. PEDRILLO Ha! Triumph, Triumph, Herr! der erste Schritt war gethan. BELMONTE Ach lass mich zu mir selbst kommen! - Ich habe sie gesehen, hab das gute treue beste Mädchen gesehen! - O Konstanze, Konstanze! Was könnt ich für dich thun, was für dich wagen? PEDRILLO Ha! gemach, gemach, bester Herr! Stimmen Sie den Ton ein bischen herab; Verstellung wird uns weit bessere Dienste leisten. Wir sind nicht in unserm Vaterlande. Hier fragen sie den Henker darnach, ob s einen Kopf mehr oder weniger in der Welt giebt. Bastonade und Strick um Hals sind hier wie ein Morgenbrod. BELMONTE Ach, Pedrillo! wenn du die Liebe kenntest - PEDRILLO Hm! Als wenn s mit unser einem gar nichts wäre. Ich habe so gut meine zärtlichen Stunden als andere Leute. Und denken Sie denn, dass mir s nicht auch im Bauche grimmt, wenn ich mein Blondchen von so einem alten Spitzbuben, wie der Osmin ist, bewacht sehen muss? BELMONTE O wenn es möglich wäre, sie zu sprechen - PEDRILLO Wir wollen sehen, was zu thun ist. Kommen Sie nur mit mir in Garten aber um alles in der Welt, vorsichtig und fein. Denn hier ist alles Aug und Ohr. Sie wollen in den Palast, Osmin kommt ihnen in der Thür entgegen, und hält sie zurück. ZEHNTER AUFTRITT Vorige, Osmin. OSMIN Wohin? PEDRILLO Hinein! OSMIN zu Belmonte Was will das Gesicht? - Zurück mit dir, zurück! PEDRILLO Ha, gemach, Meister Grobian, gemach! er ist in des Bassa Diensten. OSMIN In des Henkers Diensten mag er seyn! Er soll nicht herein! PEDRILLO Er soll aber herein! OSMIN Kommt mir nur einen Schritt über die Schwelle - BELMONTE Unverschämter! Hast du nicht mehr Achtung für einen Mann meines Standes? OSMIN Ey, ihr mögt mir vom Stande seyn! - Fort, fort, oder ich will euch Beine machen. PEDRILLO Alter Dummkopf! Es ist ja der Baumeister, den der Bassa angenommen hat. OSMIN Meinethalben sey er Stockmeister nur komm er mir hier nicht zu nahe. Ich müsste nicht sehen, dass es so ein Kumpan deines Gelichters ist, und dass das so eine abgeredte Karte ist, uns zu überlisten. Der Bassa ist weich wie Butter, mit dem könnt ihr machen, was ihr wollt aber ich habe eine feine Nase. Gaunerey ist s um den ganzen Kram, mit euch fremden Gesindel; und ihr abgefeimten Betrüger habt lange euer Plänchen angelegt, eure Pfiffe auszuführen. aber wart ein bischen! Osmin schläft nicht. Wär ich Bassa, ihr wär t längst gespiesst. - Ja! schneid t nur Gesichter, lacht nur hönisch in Bart hinein! PEDRILLO Ereifere dich nicht so, Alter; es hilft dir doch nichts. Sieh, so eben werden wir hinein spatzieren. OSMIN Ha! das will ich sehen! stellt sich vor die Thüre. PEDRILLO Mach keine Umstände. - BELMONTE Weg, Niederträchtiger! Nr. 7 - Terzett OSMIN Marsch! Marsch! Marsch! trollt euch fort! Sonst soll die Bastonade Euch gleich zu Diensten stehn. BELMONTE UND PEDRILLO Ey, ey! Das wär ja Schade, So mit uns umzugehn. OSMIN Kommt mir nicht näher. BELMONTE UND PEDRILLO Weg von der Thüre. OSMIN Sonst schlag ich drein. BELMONTE UND PEDRILLO Wir gehn hinein. Sie drängen ihn von der Thüre weg. OSMIN Marsch, fort! BELMONTE UND PEDRILLO Platz, fort! OSMIN Ich schlage drein! BELMONTE UND PEDRILLO Wir gehn hinein! Sie stossen ihn weg und gehn hinein. この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@ 藤井宏行 Mozart,Wolfgang Amadeus/Die Entführung aus dem Serail/II
https://w.atwiki.jp/anthony/pages/17.html
玄箱PRO-Apache Tomcat4と連携するApache1.3を導入する手順を紹介します。Tomcat4とはlibapache-mod-jkで行います。 ※事前に玄箱PRO-Java、玄箱PRO-Tomcatで導入が済んでいることが前提です。 apt-getでapacheとlibapache-mod-jkを導入します。 # apt-get install apache libapache-mod-jk /etc/libapache-mod-jk/workders.propertiesにJAVA_HOMEを設定する。 デフォルトで/usr/lib/j2sdk1.4-sunが設定されているので/usr/lib/fjsdkに修正する # vi /etc/libapache-mod-jk/workders.properties workers.java_home=/usr/lib/fjsdk /etc/apache/modules.confにLoadModule jk_moduleを追加する # vi /etc/apache/modules.conf LoadModule jk_module /usr/lib/apache/1.3/mod_jk.so /etc/apache/httpd.confにjkの設定を追加する # vi /etc/apache/httpd.conf IfModule mod_jk.c JkWorkersFile /etc/libapache-mod-jk/workers.properties JkLogFile /var/log/apache/mod_jk.log JkLogLevel info JkMount /manager/* ajp13_worker JkMount /examples/* ajp13_worker JkMount /tomcat-docs/* ajp13_worker /IfModule apacheを再起動してwgetで確認する # /etc/init.d/apache restart Restarting apache 1.3 web server.... # wget http //localhost/tomcat-docs/ --14 14 33-- http //localhost/tomcat-docs/ = `index.html Resolving localhost... 127.0.0.1 Connecting to localhost|127.0.0.1| 80... connected. HTTP request sent, awaiting response... 302 Moved Temporarily Location http //localhost/tomcat-docs/index.html [following] --14 14 35-- http //localhost/tomcat-docs/index.html = `index.html Connecting to localhost|127.0.0.1| 80... connected. HTTP request sent, awaiting response... 200 OK Length 11,916 (12K) [text/html] 100%[============================================== ] 11,916 --.--K/s 14 14 35 (2.51 MB/s) - `index.html saved [11916/11916] JK2とApache2の連携に比べたら非常にシンプルな設定で完了です。 Apache-SSL接続経由でTomcat4と連携する 玄箱PROを使って商用環境を作ることはないとは思いますが、一応試したので残します。 ※関連パッケージ7個で11.6M使用します apt-getでapache-sslとlibapache-mod-jkを導入します。 KUROBOX-PRO ~# apt-get install apache-ssl libapache-mod-jk 導入時に Country-Name の問い合わせには「JP」(国) State or Provience Name の問い合わせには「Tokyo」(県) Locality Name の問い合わせには「chuo-ku」(市) Organisation Name の問い合わせには「hogehoge Group」(組織名) Organisational Unit Name の問い合わせには「hogehoge」(部署名) Host Name の問い合わせには「www.hogehoge.com」(フルドメイン名) Email Address の問い合わせには「webmaster@mail.hogehoge.com」(Web管理者のメールアドレス) とでも回答しておきます。 でもこれだと1ヶ月で証明が切れてしまうので、別途再作成します。 KUROBOX-PRO ~# cd /etc/apache-ssl KUROBOX-PRO /etc/apache-ssl# openssl genrsa -des3 -out server.key\ -rand rand.dat 1024 KUROBOX-PRO /etc/apache-ssl# openssl req -new -key server.key -out server.csr KUROBOX-PRO /etc/apache-ssl# openssl rsa -in server.key -out server.key KUROBOX-PRO /etc/apache-ssl# openssl x509 -in server.csr -out server.crt\ -req -signkey server.key -days 3650 KUROBOX-PRO /etc/apache-ssl# openssl x509 -in server.crt\ -out server.der -outform DER KUROBOX-PRO /etc/apache-ssl# vi httpd.conf SSLCertificateFile /etc/apache-ssl/server.crt SSLCertificateKeyFile /etc/apache-ssl/server.key /etc/libapache-mod-jk/workders.propertiesにJAVA_HOMEを設定する。 デフォルトで/usr/lib/j2sdk1.4-sunが設定されているので/usr/lib/fjsdkに修正する # vi /etc/libapache-mod-jk/workers.properties workers.java_home=/usr/lib/fjsdk /etc/apache/modules.confにLoadModule jk_moduleを追加する(もしくはあるかを確認) # vi /etc/apache-ssl/modules.conf LoadModule jk_module /usr/lib/apache/1.3/mod_jk.so /etc/apache/httpd.confにjkの設定を追加する # vi /etc/apache-ssl/httpd.conf IfModule mod_jk.c JkWorkersFile /etc/libapache-mod-jk/workers.properties JkLogFile /var/log/apache/mod_jk.log JkLogLevel info JkMount /manager/* ajp13_worker JkMount /examples/* ajp13_worker JkMount /tomcat-docs/* ajp13_worker /IfModule apacheを再起動します 関連パッケージ KUROBOX-PRO ~# apt-get install apache-ssl libapache-mod-jk Reading package lists... Done Building dependency tree... Done The following extra packages will be installed apache-common lynx mime-support openssl ssl-cert Suggested packages apache apache-perl apache-doc libapache-mod-jk-doc ca-certificates The following NEW packages will be installed apache-common apache-ssl libapache-mod-jk lynx mime-support openssl ssl-cert 0 upgraded, 7 newly installed, 0 to remove and 15 not upgraded. Need to get 4335kB of archives. After unpacking 11.6MB of additional disk space will be used. Do you want to continue [Y/n]? 最終更新日:2007-06-05
https://w.atwiki.jp/pyopyo0124/pages/24.html
CHAPTER VIII UP CHAPTER X CHAPTER IX Mrs. Rachel Lynde Is Properly Horrified Anne had been a fortnight at Green Gables before Mrs. Lynde arrived to inspect her. Mrs. Rachel, to do her justice, was not to blame for this. A severe and unseasonable attack of grippe had confined that good lady to her house ever since the occasion of her last visit to Green Gables. Mrs. Rachel was not often sick and had a well-defined contempt for people who were; but grippe, she asserted, was like no other illness on earth and could only be interpreted as one of the special visitations of Providence. As soon as her doctor allowed her to put her foot out-of-doors she hurried up to Green Gables, bursting with curiosity to see Matthew and Marilla s orphan, concerning whom all sorts of stories and suppositions had gone abroad in Avonlea. Anne had made good use of every waking moment of that fortnight. Already she was acquainted with every tree and shrub about the place. She had discovered that a lane opened out below the apple orchard and ran up through a belt of woodland; and she had explored it to its furthest end in all its delicious vagaries of brook and bridge, fir coppice and wild cherry arch, corners thick with fern, and branching byways of maple and mountain ash. She had made friends with the spring down in the hollow-- that wonderful deep, clear icy-cold spring; it was set about with smooth red sandstones and rimmed in by great palm-like clumps of water fern; and beyond it was a log bridge over the brook. That bridge led Anne s dancing feet up over a wooded hill beyond, where perpetual twilight reigned under the straight, thick-growing firs and spruces; the only flowers there were myriads of delicate "June bells," those shyest and sweetest of woodland blooms, and a few pale, aerial starflowers, like the spirits of last year s blossoms. Gossamers glimmered like threads of silver among the trees and the fir boughs and tassels seemed to utter friendly speech. All these raptured voyages of exploration were made in the odd half hours which she was allowed for play, and Anne talked Matthew and Marilla half-deaf over her discoveries. Not that Matthew complained, to be sure; he listened to it all with a wordless smile of enjoyment on his face; Marilla permitted the "chatter" until she found herself becoming too interested in it, whereupon she always promptly quenched Anne by a curt command to hold her tongue. Anne was out in the orchard when Mrs. Rachel came, wandering at her own sweet will through the lush, tremu- lous grasses splashed with ruddy evening sunshine; so that good lady had an excellent chance to talk her illness fully over, describing every ache and pulse beat with such evident enjoyment that Marilla thought even grippe must bring its compensations. When details were exhausted Mrs. Rachel introduced the real reason of her call. "I ve been hearing some surprising things about you and Matthew." "I don t suppose you are any more surprised than I am myself," said Marilla. "I m getting over my surprise now." "It was too bad there was such a mistake," said Mrs. Rachel sympathetically. "Couldn t you have sent her back?" "I suppose we could, but we decided not to. Matthew took a fancy to her. And I must say I like her myself-- although I admit she has her faults. The house seems a different place already. She s a real bright little thing." Marilla said more than she had intended to say when she began, for she read disapproval in Mrs. Rachel s expression. "It s a great responsibility you ve taken on yourself," said that lady gloomily, "especially when you ve never had any experience with children. You don t know much about her or her real disposition, I suppose, and there s no guessing how a child like that will turn out. But I don t want to discourage you I m sure, Marilla." "I m not feeling discouraged," was Marilla s dry response. "when I make up my mind to do a thing it stays made up. I suppose you d like to see Anne. I ll call her in." Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment. "Well, they didn t pick you for your looks, that s sure and certain," was Mrs. Rachel Lynde s emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. "She s terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say." Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot. "I hate you," she cried in a choked voice, stamping her foot on the floor. "I hate you--I hate you--I hate you--" a louder stamp with each assertion of hatred. "How dare you call me skinny and ugly? How dare you say I m freckled and redheaded? You are a rude, impolite, unfeeling woman!" "Anne!" exclaimed Marilla in consternation. But Anne continued to face Mrs. Rachel undauntedly, head up, eyes blazing, hands clenched, passionate indignation exhaling from her like an atmosphere. "How dare you say such things about me?" she repeated vehemently. "How would you like to have such things said about you? How would you like to be told that you are fat and clumsy and probably hadn t a spark of imagination in you? I don t care if I do hurt your feelings by saying so! I hope I hurt them. You have hurt mine worse than they were ever hurt before even by Mrs. Thomas intoxicated husband. And I ll NEVER forgive you for it, never, never!" Stamp! Stamp! "Did anybody ever see such a temper!" exclaimed the horrified Mrs. Rachel. "Anne go to your room and stay there until I come up," said Marilla, recovering her powers of speech with difficulty. Anne, bursting into tears, rushed to the hall door, slammed it until the tins on the porch wall outside rattled in sympathy, and fled through the hall and up the stairs like a whirlwind. A subdued slam above told that the door of the east gable had been shut with equal vehemence. "Well, I don t envy you your job bringing THAT up, Marilla," said Mrs. Rachel with unspeakable solemnity. Marilla opened her lips to say she knew not what of apology or deprecation. What she did say was a surprise to herself then and ever afterwards. "You shouldn t have twitted her about her looks, Rachel." "Marilla Cuthbert, you don t mean to say that you are upholding her in such a terrible display of temper as we ve just seen?" demanded Mrs. Rachel indignantly. "No," said Marilla slowly, "I m not trying to excuse her. She s been very naughty and I ll have to give her a talking to about it. But we must make allowances for her. She s never been taught what is right. And you WERE too hard on her, Rachel." Marilla could not help tacking on that last sentence, although she was again surprised at herself for doing it. Mrs. Rachel got up with an air of offended dignity. "Well, I see that I ll have to be very careful what I say after this, Marilla, since the fine feelings of orphans, brought from goodness knows where, have to be considered before anything else. Oh, no, I m not vexed--don t worry yourself. I m too sorry for you to leave any room for anger in my mind. You ll have your own troubles with that child. But if you ll take my advice--which I suppose you won t do, although I ve brought up ten children and buried two--you ll do that `talking to you mention with a fair- sized birch switch. I should think THAT would be the most effective language for that kind of a child. Her temper matches her hair I guess. Well, good evening, Marilla. I hope you ll come down to see me often as usual. But you can t expect me to visit here again in a hurry, if I m liable to be flown at and insulted in such a fashion. It s something new in MY experience." Whereat Mrs. Rachel swept out and away--if a fat woman who always waddled COULD be said to sweep away--and Marilla with a very solemn face betook herself to the east gable. On the way upstairs she pondered uneasily as to what she ought to do. She felt no little dismay over the scene that had just been enacted. How unfortunate that Anne should have displayed such temper before Mrs. Rachel Lynde, of all people! Then Marilla suddenly became aware of an uncomfortable and rebuking consciousness that she felt more humiliation over this than sorrow over the discovery of such a serious defect in Anne s disposition. And how was she to punish her? The amiable suggestion of the birch switch--to the efficiency of which all of Mrs. Rachel s own children could have borne smarting testimony-- did not appeal to Marilla. She did not believe she could whip a child. No, some other method of punishment must be found to bring Anne to a proper realization of the enormity of her offense. Marilla found Anne face downward on her bed, crying bitterly, quite oblivious of muddy boots on a clean counterpane. "Anne," she said not ungently. No answer. "Anne," with greater severity, "get off that bed this minute and listen to what I have to say to you." Anne squirmed off the bed and sat rigidly on a chair beside it, her face swollen and tear-stained and her eyes fixed stubbornly on the floor. "This is a nice way for you to behave. Anne! Aren t you ashamed of yourself?" "She hadn t any right to call me ugly and redheaded," retorted Anne, evasive and defiant. "You hadn t any right to fly into such a fury and talk the way you did to her, Anne. I was ashamed of you-- thoroughly ashamed of you. I wanted you to behave nicely to Mrs. Lynde, and instead of that you have disgraced me. I m sure I don t know why you should lose your temper like that just because Mrs. Lynde said you were red-haired and homely. You say it yourself often enough." "Oh, but there s such a difference between saying a thing yourself and hearing other people say it," wailed Anne. "You may know a thing is so, but you can t help hoping other people don t quite think it is. I suppose you think I have an awful temper, but I couldn t help it. When she said those things something just rose right up in me and choked me. I HAD to fly out at her." "Well, you made a fine exhibition of yourself I must say. Mrs. Lynde will have a nice story to tell about you everywhere--and she ll tell it, too. It was a dreadful thing for you to lose your temper like that, Anne." "Just imagine how you would feel if somebody told you to your face that you were skinny and ugly," pleaded Anne tearfully. An old remembrance suddenly rose up before Marilla. She had been a very small child when she had heard one aunt say of her to another, "What a pity she is such a dark, homely little thing." Marilla was every day of fifty before the sting had gone out of that memory. "I don t say that I think Mrs. Lynde was exactly right in saying what she did to you, Anne," she admitted in a softer tone. "Rachel is too outspoken. But that is no excuse for such behavior on your part. She was a stranger and an elderly person and my visitor--all three very good reasons why you should have been respectful to her. You were rude and saucy and"--Marilla had a saving inspiration of punishment--"you must go to her and tell her you are very sorry for your bad temper and ask her to forgive you." "I can never do that," said Anne determinedly and darkly. "You can punish me in any way you like, Marilla. You can shut me up in a dark, damp dungeon inhabited by snakes and toads and feed me only on bread and water and I shall not complain. But I cannot ask Mrs. Lynde to forgive me." "We re not in the habit of shutting people up in dark damp dungeons," said Marilla drily, "especially as they re rather scarce in Avonlea. But apologize to Mrs. Lynde you must and shall and you ll stay here in your room until you can tell me you re willing to do it." "I shall have to stay here forever then," said Anne mournfully, "because I can t tell Mrs. Lynde I m sorry I said those things to her. How can I? I m NOT sorry. I m sorry I ve vexed you; but I m GLAD I told her just what I did. It was a great satisfaction. I can t say I m sorry when I m not, can I? I can t even IMAGINE I m sorry." "Perhaps your imagination will be in better working order by the morning," said Marilla, rising to depart. "You ll have the night to think over your conduct in and come to a better frame of mind. You said you would try to be a very good girl if we kept you at Green Gables, but I must say it hasn t seemed very much like it this evening." Leaving this Parthian shaft to rankle in Anne s stormy bosom, Marilla descended to the kitchen, grievously troubled in mind and vexed in soul. She was as angry with herself as with Anne, because, whenever she recalled Mrs. Rachel s dumbfounded countenance her lips twitched with amusement and she felt a most reprehensible desire to laugh. CHAPTER VIII UP CHAPTER X 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 29 34 (Tue)
https://w.atwiki.jp/twuconfe2007temp1/pages/15.html
The most updated copy is available at http //www12.atwiki.jp/twuconfe2007temp1/?requests-abs . This article is a partial translation. More discussion is on http //www12.atwiki.jp/twuconfe2007temp1/?requests , which is the abstract of BBS http //jbbs.livedoor.jp/bbs/read.cgi/game/30348/1193046900/ . Note atwiki.jp is down for maintainance, Nov.17 22 00 - Nov.18 07 00 JST. translator s responsibility sign by hash DtV8q0jtSIlKUuKKHfowiR8nY/tnlk Congratulation for user conference 2007 today, now go directly to report petitions for our worlds, where we attached to. User experiences. Some skill effects like Smart Crusher of Boris, Toryu(JP) of Sivelin is too loud or too jolt (maybe/especially at some less response speed LCD) and treated as to be deserved censure for nuisance or abuse, therefore cannot use at public maps. Option switches of reduce these effect sound/display desired. Some items that works internally like Kouunn-no-monsyo(JP, Coat of lucks), Takumi-no-gouseizai(JP, compounds of swordsmith) have no visual effects and cannot verify if it s working. wanted Easy method for item move in the same account. wanted Compensation for Kouunn-no-monsyo(JP, Coat of lucks), Syuurenn-no-ishi(JP, stone of discipline, XP 50%up), corresponds to server-down time. (These items are a little expensive for pocket moneys.) About nProtect. nProtect/Themida is too heavy for some players, since TW in Japan is widely introduced to less specs PC users (like DirectX7 games), spreads users to users. What s more, some antimalware vender says nProtect module worse only because for packed by Themida. Some nProtect libraries ceases NT logon keyin if TW client sets installed for external disks. Many of TW users are youth, so cannot operate sysrestore, so OS is down practically. USB HID lower-filter cannot loaded at kernel boot and ceases using USB keyboard, so cannot enter passwords. That filter driver is implicitly installed but no uninstallation tools publicly. These petitions seems not accepted both Nexon and INCA, no feels of supported. Nexon teams sometimes say report troubles to INCA, but nProtect suite is licensed to and managed by Nexon, not end users. At lease Nexon teams seems to have to accept the report once, and redirect to INCA, and obtain updates. And many BOTs appeared today. Many users recognize nProtect refuses ONLY some (small) casual cheaters, not balanced between installation and side effects, and so no longer effective. // This section is by amateur C++ programmer who have knowledge of major packers, and agreed NOT run reverse-engineering. About BOTs. Too many BOTs, BOTs, BOTs, .... Such many BOTs causes obvious inflation of Seeds we afraid and decrease manners and orders. Some one click function like expose this character proposed. GMs can check for accounts in order of expose counts. About GMs. Some GMs killed NOT ALL BOTs at the map, some user complaint. Many users DOESN T encounter GMs (are they using hide-portions at works?) Please be much more familiar in virtual world. TW has emoticons implemented, so GMs can be as pantomimist. Illegal users, sanctions, unattended temporary locks, and preventive architecture Many users complaint about no sanctions on illegal users.... (Remember many TW users are very young, others never lost there childlike innocence.) Some users guess server should have more properties for items and transaction logs for tracks of illegal item duplication or transaction. Megi-mithril is still locked and cannot move Tichiel to Croe on the same user today. Februally, in Japan, production (not Kertica) servers have *hidden* Croe implemented, with detachable Megi-mithril initialized(may be for tests). Some players eager for Croe-release have crack the client and illegally instanciate Croes, and soon some groups create/sell/deploy many inappropriate Megi-mithrils. Some user guess we cannot distinguish between legal/illegal Megi-mithrils internally, so no sanctions, no unlocks today. (Incidentally master IDs with illegal Croes have banned.) If some item creation information attached internally, we may tracks illegal Megi-mithrils, and illegal players, guessed, as mentioned above. Some rude users increasingly realize TW have less logging, consistency checks, or sanctions, so feel less hesitant to illegal/reckless plays, and others disappointed and exit TWs.... User supports. Many users compalint about support for many times... support forms (on web) only reply quick receipt message and feels like beating the air. Almost of users endure, but wants grumble. We want to talk with dev/admin staffs friendly, more! more response than autoreply, even it s unattended, unassigned for a while. role like MVP of Microsoft... NVP(Nexon Valuable Player)? issue DB like Bugzilla? and more and more ... ... to live in TW .... Many users *love* and *live in* TW world, and want to continue *live in* TW world. We want Nexon teams *love* TW more and more, continually, and *result of* improve our experience for ever. Yours sincerely, many TW residences
https://w.atwiki.jp/mainichi-matome/pages/6343.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳(の疑い)を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Japan's latest titillating trend Hiding those huge hooters!日本の最新の性的に刺激的なトレンド:隠れ巨乳! 参考資料 拡散状況 関連ページ Japan s latest titillating trend Hiding those huge hooters! 日本の最新の性的に刺激的なトレンド:隠れ巨乳! 元記事(削除済み):http //mdn.mainichi.jp/culture/waiwai/news/20061208p2g00m0dm013000c 0 Japan s latest titillating trend Hiding those huge hooters! 2006,12,08 Spa! 12/5 By Ryann Connell 日本の最新の性的に刺激的なトレンド:隠れ巨乳! SPA! 12/5 ライアン・コネル記 1 Even now, Japan retains its culture of shame to a certain extent, which leads to such phenomena as buxom women covering their assets to avoid attracting undue attention in a practice being called kakure kyonyu, or hidden hooters, according to Spa! (12/5). こんにちにおいてさえ、日本は恥の文化を失っておらず、ある分野にまで拡大して、カクレキョニュウ(隠された胸)とよばれる風習――豊満な女性が過度の注目をひくことを避けるため自分の武器を覆い隠すという現象――を引き起こした。 2 Though it sounds like an easy task, the perfect cover-up of a bountiful breast is actually extremely difficult and can only be done under the most precise conditions, the men s weekly says. 『隠れ巨乳』は簡単なことのように思われるかもしれないが、豊満な胸を完全に隠すことは実のところ極度に難しく、最大限に精密な条件のもとにおいてのみ行うことが出来る、とSPA!はいう。 3 "Female hormones are emitted in large numbers among women from around age 18 to 20. That s a period when the bust really grows and forms that taut look. This happens because the skin can t keep up with the growth of the breast. No matter what you do, you can t hide this process," Yoshinori Nagumo, the cosmetic surgeon head of the Nagumo Clinic, tells Spa! 「女性ホルモンはおよそ18才から20才の間の女性に大量に分泌されます。この年齢は、バストが実に成長してピンと張った形を形成する時期です。肌が胸の成長に追いつかないので、こういうことが起こります。どんなことをしても、この変化を隠すことはできません」と、ナグモクリニックの院長で美容外科医の南雲吉則はSPA!に語る。 4 If hiding the bust at this time is impossible, then perfect concealment is possible only among women over 21. この時期にバストを隠すことが不可能ならば、完全に隠すことは21歳以上の女性においてのみ可能ということになる。 5 "But anybody with a breast size of B-cup or more is going to see gravity make their breasts start to sag after 25," Nagumo says, reducing the perfect concealment age group to those from 21 to 24. 「しかしBカップ以上のサイズの胸を持つ女性なら誰でも、25才以降、重力によって自分の胸がたるみはじめるのを見ることになります」と南雲はいい、完全に隠せる年齢層を21才から24才までに限定する。 6 And even more conditions apply "Thin women can not have dieted to get that way. They have to have been thin all their lives. And they can t have breastfed, nor can they have broad shoulders," the surgeon says. そしてさらなる条件が適用される:「細い女性は隠れ巨乳になるためにダイエット経験があってはいけません。彼女たちは人生を通じてやせていなければなりません。そして彼女たちは母乳で育てられたのではだめで、また肩幅が広くてもだめです」とこの外科医はいう。 7 Wanting to keep the breasts unseen has a long tradition in Japan. 胸を見られないようにしておきたいと思うことは、日本では長きにわたる伝統だ。 8 "Up until about the middle of the 1980s, nearly all women in Japan were either an A- or B-cup. Anybody who had large breasts was normally ashamed of them. And most of those who were big-breasted did what they could to make them look as small as possible. So there used to be a lot more kakure kyonyu than there is nowadays," Masashi Miyazawa, head of marketing at apparel sales company Emerge. 「1980年代なかば頃までは、日本の女性のほぼ全員がAまたはBカップでした。胸の大きな人はだれでも、普通、自分のことを恥じていました。そして大きな胸の持ち主のほとんどは可能なかぎり小さく見せるためにできることをしました。なのでかつては、こんにちよりもずっと多くのカクレキョニュウがいたのです」と、アパレルセールス会社・エマージのマーケティング部長ミヤザワマサシ。 9 Since the 90s, though, Japanese women s attitudes toward their breasts have changed, with big being better and less than 20 percent now wearing A-cup bras. While those less endowed in the bust department are now buying bras that make them look bigger, there is still a strong element of kakure kyonyu going on. These women choose bras that have lots of material surrounding the cups and suppress more than emphasize. Dressing can help, too. とはいえ、90年代から、胸に対しての日本人女性の態度は変わってきていて、大きいほどよいことになり、現在ではAカップのブラを着用する人は20%に満たない。 胸部が貧しい人達が今胸を大きく見せるブラを買っている一方、まだ隠れ巨乳が流行っている強力な要因がある。 これらの女性は、カップを囲む素材が多くて、強調するよりも抑えつけるブラを選ぶ。 服装選びもまた助けになる。 10 "Form is the most important thing when it comes to having a nice-looking bust. And the secret to deemphasizing large breasts is to expose them rather than try to cover them up," stylist Sonoko Takahashi tells Spa! "Wearing V-neck shirts gives the impression of exposure and takes attention away from the breasts. And women looking to take away attention from their large breasts should avoid whites and pastels in favor of black. Avoid wearing knits and other clothes made with thick materials and instead choose body-hugging items like rayon." (By Ryann Connell) 「見ためのよいバストを持つということに関して言えば、形こそが一番大事なものです。大きな胸を強調させない秘訣は、胸を隠そうとすることではなくて、むしろ胸を露出することです」とスタイリストの高橋園子はSPA!に語る。「Vネックのシャツを着ることが、露出を印象づけ、胸から注意をそらすのです。 そして自分の大きな胸から注意を逸らしたがっている女性は、白やパステルカラーを避けて黒を選んだほうがいいでしょう。ニットや厚い素材でできた服を着ないようにして、かわりにレーヨンのような体にぴったりくっつくアイテムを選びましょう」(ライアン・コネル記) 参考資料 南雲吉則 http //spysee.jp/%E5%8D%97%E9%9B%B2%E5%90%89%E5%89%87/1052135/ 高橋園子 http //www.php.co.jp/fun/people/person.php?name=%B9%E2%B6%B6%B1%E0%BB%D2 http //park5.wakwak.com/~rechercher/cat_03.html 拡散状況 Japanese Style Noodles http //www.japanesestylenoodles.com/waiwai/archive20061208 Japundit http //blog.japundit.com/archives/2006/12/09/4394/ jrocknyc http //jrocknyc.blogspot.com/2006/12/transvestite-troubadour-sucker-for_10.html 英語サイト http //dodsonandross.com/forum/topics/cover-those-big-breasts 部分転載:http //www.spablews.com/node/7287 http //www.thetechzone.com/forums/showthread.php?threadid=90103 関連ページ Japanese Style Noodles Japundit WaiWaiの記事を転載した英語サイト:D WaiWaiの記事を転載した英語サイト:S WaiWaiの記事を転載した英語サイト:T jrocknyc 毎日新聞英語版から配信された記事2006年
https://w.atwiki.jp/hellishlondon/pages/55.html
Multiplayer Patch 1.2 - March 17th, 2008 North America and Europe Only In-game update. Requires Stonehenge Chronicles. Patch 1.2 Notes March 17th, 2008 Hello everyone! This patch has some major skill changes, a few vital balance tweaks, some pesky bug fixes, and a highly-requested new feature. First and foremost is the introduction of our in-game mail system. This is something that we know is of vital interest to our community, and is the foundation for our consignment / auction house system. Players can not only send and receive messages with anyone in the game, but they can also attach Palladium and items to their mail. This makes getting items from one character to another – even your own – much simpler and more convenient. And while you need to be in a Station to attach or receive items and Palladium, you can read your messages anywhere, anytime. We’re also rolling out the second of our major character class balance passes. In this patch, we’ve done a comprehensive balance pass on the Marksman. We focused on addressing a number of issues that have made the class vastly over-powered in comparison to the rest of the classes and the desired difficulty of the game. There are also numerous areas where we have increased the effectiveness of, or altered skills to give Marksman players a wider variety of builds and tactics. Chief amongst these changes is addressing the notorious skill/weapon combinations involving Ricochet, Reflecting Shot, Multishot, Rapid Fire, Heightened Senses, Beacon, Dead Eye, and Hollow Points, while using a high rate of fire weapon, such as an Arclight Rifle. While we realize that making choices on skill, item, and mod combinations which complement each other is a fundamental design element most emphasized with the Marksman in particular, there should never be one combination of skills which completely outshines the rest. We didn’t want to entirely remove the most overpowered Marksman skill combinations altogether, however, and we also didn’t want to leave other Marksman skill issues unaddressed. This would have been largely unfair to the Marksman players. As a result, you’ll see a large number of changes to the skills - such as synergies to the Ballistics, Grenade, and Precision Strike skill groups - that should promote an increased variety of specialized builds and create a more diversified play experience overall. We’ve been doing a lot of balance and tweaking over the past few weeks in Test Center with these changes, and we’re excited to roll them out to all of our players. Big thanks to everyone for all the great feedback! We’re also introducing our first “pets with abilities” in this patch. These pets can be found out in the Wild and offer more for brave adventurers than mere companionship. Keep an eye out for those Mysterious Eggs! Finally, there are a MASSIVE amount of other fixes and additions in this patch, including adjusting the difficulty of the Nightmare end-game, making the big Moloch battle more interesting and challenging, adding a slew of new Unique items and challenges in the Wild, and much, MUCH more. Thanks again to everyone for their great feedback and continued support of making Hellgate London bigger and better. See you online! The Hellgate London Team ----- In-Game Mail Characters can now send and receive mail from any other character, including characters within the same account. Mail consists of text messages, and one item of any size and any amount of Palladium can be attached for delivery. Here are some of the features of the mail system. Mail can be read anywhere in the game via the Mail panel. This can be accessed using the Z key or using the Mail icon located underneath the chat panel. Items and Palladium can only be attached or removed from mail while the character is in a Station. Mail can be sent to any player whose name is known, regardless of whether they are online or not. You can only send mail to one character at a time or to your entire guild. Mail is only stored for a certain amount of time. The mail panel shows how long each message has left before it is automatically deleted. Different types of mail (such as those with attachments or unread mail) may stay in your inbox for longer or shorter periods of time. While you can send mail to character in a different mode (Hardcore, Elite, and Hardcore Elite) you cannot attach items or Palladium in a cross-mode email. This follows the same rules as trading items. You can’t mail quest items or non-tradable items (such as Dye Kits or a Skill Retrainer). General Adjusted difficulty of the Nightmare endgame. Decreased the ramp of the damage penalty that players face against monsters higher than their level. Fields from different sources can now stack. Please note that the graphics♦ from new fields still override those of previous fields. Players must now wait 5 seconds before they can re-enter a Hellrift. Fixed a bug which caused weapons to disappear when swapping weapon sets in the middle of performing certain skills. Fixed a bug which caused the /played command to display the incorrect amount of time played. If a player dies during (or just before) a cut-scene begins playing or the game begins loading, the re-spawn options menu will come up after the cut-scene or loading screen is completed. Vendor inventories in Nightmare difficulty should now be stocked with Nightmare-level items. The Shock effect now deals damage immediately when it’s applied. Several character and monster animations have been improved. Fixed known Blueprint exploits. Fixed a bug which sometimes caused files to require unnecessary patching. Fixed a bug which caused the mini-game to become stuck if the player zoned to town or quit the game immediately after completing a round of the mini-game. Stonehenge Moloch The Necro Fall zone has an increased monster spawn density of approximately 25% and the monsters are now 2 levels higher than before. Moloch has been further increased in difficulty, as well as being more resistant to Ignite and Ignite Damage. Be sure you’re well prepared before attempting to defeat him in Hardcore Elite Mode! Moloch now has the ability to regenerate 20% of his total health when he kills a character. Moloch now has a chance to drop the following additional, extra-rare loot for every player who defeats him 1% chance to drop an Attribute Retrainer. This item allows a character to “zero out” all points put into attributes (Accuracy, Strength, Stamina, and Willpower) and freely reassign them. These items are tradable between all players. 5% chance to drop one of a new class of dye kits that have intrinsic properties. These properties scale with the level of the item, so one gained from Moloch at level 50 will be better than one gained from Moloch at level 30. These dye kits are tradable between subscribers. In order of least rare to most rare Earth Core Dye Kit Health regeneration Dark Vengeance Dye Kit + to luck Indigo Fire Dye Kit Electricity “thorns damage” effect Copper Sky Dye Kit + to all Elemental special effect defense Ivory Haze Dye Kit + to Shields Vanquish Dye Kit +1 level of Sprint skill (this does not scale) Cold Steel Dye Kit + to Armor Black Knight Dye Kit + to all attributes The Wild The Wild zone has a 20% higher monster spawn. The Foreboding Wild zone has a 30% higher monster spawn. The Deepest Wild zone has a 40% higher monster spawn. Even more champion monsters can be found in all the Wild zones Champion monsters in all Wild zones have a 1-in-250 chance to drop one of six new, Unique weapons. These weapons scale with the level of the champion dropping the weapon. These weapons are tradable between subscribers.Convulsor – a Sniper Rifle The Exterminator – a Heavy Rifle Novastorm – a Nova Gun The Unyielding Moon – a Sword Slipnaught – a Focus Item Alucard’s Continuum – a Dart Pistol A new boss monster, The Desiccator, has a 25% chance of appearing in The Deepest Wild zone. He should be extremely hard to kill, particularly solo or in small parties. As his health constantly regenerates, there is no guarantee a party will ever be able to kill him. When defeated, The Desiccator has a 20% chance to drop a “Mysterious Egg.” When placed in the Transmogrifying Cube, a Mysterious Egg will hatch into one of three new “pets with abilities”. These new pets and the Mysterious Egg are not tradable. These pets are Nautilus – occasionally heals all friends in range Revenant – occasionally fires a spectral missile at enemies Heap Raptor – breaks all those pesky crates for you General Stonehenge Updates Essences or Caste General Heads gathered in Normal and Nightmare difficulties may now be used in either difficulty setting. Players may no longer exploit the essence pedestals via trading. Monsters Winged Imps now lose their invulnerability earlier. Fixed some cases where monsters would get stuck in the ground. Wurm no longer spawns maggots when it dies. Maggots summoned by Wurm will now automatically die upon Wurm’s death. Fixed a bug which allowed the Wurm encounter to be exploited. The Lightning now looks like a giant robot as intended. Quests Fixed a bug which sometimes caused collection side-quest counters to count down under certain conditions. Players can now drop the train part quest items for the “…All the Live Long Day” quest. Also players may no longer pick up these items if they do not have the quest active or if they already have the item. Any leftover blueprint items from the “Threshold” quest will now be removed. Players who have more than one of an un-droppable quest items now have the option to destroy all but one of these items. User Interface / Controls Some UI panels have been improved. Fixed two bugs which caused the automap fog of war to be reset either when using a PRD or in levels with hellrifts. Added class and character level to the party member windows. Improved the /whisper and /reply interface. Shift-activation should now work for skills granted by items. The [Shift], [Ctrl], and [Alt] keys are now re-mappable, and may be set as key-modifiers. The [ACCEPT] button on the trade panel now greys out for 3 seconds after the trade terms are changed by either player. Fixed a bug which would omit some guild members in the guild member list for very large guilds. Graphics Fixed an issue where backgrounds would flicker or disappear.Graphics (DX10 Only) Various distortion effects have been fixed. Fixed a Hellrift portal graphical issue in which the image would slide inappropriately. Translucent models now render properly against the background. Particles and translucent models are no longer out of focus with the depth-of-field effect. Depth-of-field blur amount has been reduced and is now more subtle. Fixed a resource/memory leak that showed as either Page File or Commit Size growth. Skills PLEASE READ the changes to skills carefully as many have changed. Some skills now have new names to represent their different effects or make more sense within the context of the character class. Hunter Fixed a bug that sometimes caused grenades to not fire properly when the skill is being repeated. Phase Grenade Fixed a bug which caused the Phase Grenade to not receive the proper Attack Rating from the user. This caused the Phase Grenade to do less damage than intended against armored targets (but did not affect damage done to Shields). Tactical Stance Now also gives a base Firing Accuracy bonus of 50. Changed the Critical Chance bonus effect (3% at rank 1 and 1% per additional rank) to a damage bonus of 15% at rank 1 and 5% per additional rank. Escape Escape now provides 1 second of invulnerability when it is activated. Escape should now prevent enemy players in PVP from seeing the user. The cool-down for this skill now starts when the skill is used, not when it is cleared. The cool-down for this skill has been increased to 30 seconds. The duration for this skill has been decreased from 6 seconds to 3 seconds at rank 1, increasing by 1 second per additional rank. The rank cap on this skill has been increased from 5 to 7. Escape now clears all other speed boost effects while it is active, including Adrenaline Pills and Sprint. Using any skill or item that boosts speed will clear Escape, including Sprint. Precision Strikes Precision Strikes now have direct synergies with all other Precision Strikes. Precision Strikes no longer have skill prerequisites Decreased the shared cool-down of all Precision Strikes from 20 seconds to 12 seconds. Napalm Strike Increased base Damage by roughly 300%. Ranks in Napalm Strike now increase the Duration of all Precision Strikes by 50%. Decreased base radius by 50%. Smackdown Ranks in Smackdown now increase the Elemental Attack Strengths of all Precision Strikes by 25%. Increased base damage by roughly 300%. Decreased base radius by 50%. Shock and Awe Decreased base Damage by roughly 25%. Ranks in Shock and Awe now increase the Radius of all Precision Strikes by 15%. Decreased base radius by 75%. Marksman Rebounder Rounds (formerly Ricochet) “The Marksman uses modified ammunition that has a chance to ricochet off enemies and walls.” This skill is now an Active skill. You must use this skill in order to gain the effect and functions similarly to how “fire both weapons” works. There is no power cost for using this skill. This skill has a chance to proc its effect (based on the skill and increasing based on the rank of the skill) for each individual firing of the skill. Since its effect is no longer dependent upon landing a critical hit, the effect of this skills will be seen much more commonly at all skill ranks and character levels. This skill has indirect synergies with the other skills in the “Ballistics” line. Each rank in Rebounder Rounds has a chance (albeit smaller) to proc when either Ravager Rounds or Concussion Rounds are used.EXAMPLE The first rank of Rebounder Rounds gives a 10% chance for shots to ricochet while using Rebounder Rounds. Due to skill synergy, Ravager Rounds and Concussion Rounds have a 7% chance for this effect to occur while using either of those skills. Ravager Rounds (formerly Reflected Shot) “The Marksman uses modified ammunition that has a chance to blow through and subsequently retarget additional enemies.” This skill is now an Active skill. You must use this skill in order to gain the effect and functions similarly to how “fire both weapons” works. There is no power cost for using this skill. This skill has a chance to proc its effect (based on the skill and increasing based on the rank of the skill) for each individual firing of the skill. Since its effect is no longer dependent upon landing a critical hit, the effect of this skills will be seen much more commonly at all skill ranks and character levels. This skill has indirect synergies with the other skills in the “Ballistics” line. Each rank in Ravager Rounds has a chance (albeit smaller) to proc when either Rebounder Rounds or Concussion Rounds are used.EXAMPLE The first rank of Ravager Rounds gives a 3% chance for shots to blow through and re-target a new enemy while using Ravager Rounds. Due to skill synergy, Rebounder Rounds and Concussion Rounds have a 2% chance for this effect to occur while using either of those skills. Concussion Rounds (replaces Homing Shot) “The Marksman uses modified ammunition designed for maximum impact.” This skill is now an Active skill. You must use this skill in order to gain the effect and functions similarly to how “fire both weapons” works. There is no power cost for using this skill. This skill increases the Interrupt Strength (indirect chance to proc) of the Marksman’s weapons (based on the skill and increasing based on the rank of the skill) while the skill is used. This skill has indirect synergies with the other skills in the “Ballistics” line. Each rank in Concussion Rounds increases Interrupt Strength (albeit by lesser amount) when either Ravager Rounds or Rebounder Rounds are used.EXAMPLE The first rank of Concussion Rounds gives a 12% increased Interrupt Strength for shots fired while using Concussion Rounds. Due to skill synergy, Ravager Rounds and Rebounder Rounds have a 8% increased Interrupt Strength when using either of those skills. Weapon Master (formerly Hollow Points) Increased the Critical Damage bonus of this skill from 20% at rank 1 and 10% per additional rank, to a flat 30% bonus per rank. Beacon Decreased the power cost by 33%. Increased the per-rank bonus to 7% from 5%. Decreased the base effect to 21% from 45%. Duration is now fixed at 6 seconds. Beacon may now be used on targets who already have the Beacon effect to refresh the timer. The Multi Beacon and Beacon effects no longer stack. Elemental Beacon Now also decreases the target’s Elemental Attack Strengths. Gives increasing Elemental Attack and Defense penalties per rank that scales with the character’s level. Multi Beacon Fixed a bug which caused increasing ranks in Multi Beacon to not provide any bonuses. Increased the cooldown to 12 seconds from 2 seconds. Duration is now fixed at 6 seconds. The Multi Beacon and Beacon effects no longer stack. Sniper Is now available at level 5. No longer forces the Marksman to crouch and stop moving when used. The character now moves at 50% speed while the skill is active (in addition to the Armor and Weapon Energy Consumption penalties). Weapon Accuracy, Range, and Missile Velocity bonuses are now fixed at 60%, 60%, and 25%, respectively. Damage bonus has been decreased from 200% to 150%. Rank progression now decreases its rate of use and rate of fire penalties by 3% per rank, beginning at a 50% penalty at rank 1 and ending at a 23% penalty at rank 10. Master Sniper Now provides a 1% Critical Chance bonus per rank, in addition to its previous 20% Critical Damage bonus. Rapid Fire Now clears Multishot when used. Multishot This skill has been moved under Weapon Master in the skill tree. It required two points in Weapon Master to unlock, thus requiring fewer total points to unlock than before. Overshield Increased the Shields bonus per additional rank from 33% to 100%. Overshield now grants Shields in a fixed ratio the Marksman s current Shields Percentage will not change when the skill is activated or deactivated. Escape Artist The Movement Speed bonus has been increased to 25% per rank. The rank cap on this skill has been increased from 5 to 7. Grenades Grenades now have direct synergies with all other Grenades. Increased the damage of all Grenade skills by roughly 70% in addition to individual Grenade skill damage changes. Increased the cool-down of all Grenade skills from 5 to 6 seconds. Explosive Grenade Explosive Grenades now explode on impact with monsters (but not objects) and have a 2 second fuse. Decreased base Damage by 23%. Decreased base Ignite Attack Strength by 33%. Ranks in Explosive Grenade now increase the Damage of all grenades by 12%. Phase Grenade Increased base Damage by 6%. Ranks in Phase Grenade now increase the Elemental Attack Strengths of all grenades by 30%. Toxic Grenade Toxic Grenades now bounce off of objects (ignoring monsters) before exploding after 1.5 seconds. Toxic Grenades now create a field that lasts for 4 seconds, dealing field damage. Decreased base Poison Attack Strength by 50%. Ranks in Toxic Grenade now increase the splash or field radius of all grenades by 10%. Flashcrasher Grenade Increased base Damage by 12%. Decreased base Stun Attack Strength by 50%. Ranks in Flashcracker Grenade now grant and increase the Shield Penetration of all grenades by 10%. Engineer Engineer Drones now properly receive Armor bonuses from Armor affixes. Fixed bugs that caused Engineer Drones to receive more than twice as much Armor than intended. Fixed a bug that prevented the effects of Medpak Retrofit and Shield Generator Retrofit to properly scale up with additional levels. Engineers should no longer erroneously receive bonuses from items which grant the Overshield skill. Summoned pets should no longer fail to spawn when summoned. Beacon Decreased the base effect to 15% from 25%. Templar Guardian Aura of Thorns Aura of Thorns should now properly increase Thorns damage from items. Aura of Thorns has been rebalanced to fit the standard Aura progression model. Blademaster Crosscutter Crosscutter now requires a target in order to use the skill. Whirlwind Fixed a bug which caused Whirlwind to immediately cancel itself. Call Of The Chosen The range of Call Of The Chosen has been increased. Cabalist Brom’s Curse Fixed description for Brom’s Curse to match the actual health gained. Summoner Hand of Nostrum Hand of Nostrum should now properly increase the number of healing beams used by the Witch Doctor. Evoker Hellfire Hellfire can now be aimed as long as the skill trigger is held down, and fires once the trigger is released. Lightning Field The skill description has been corrected to match the actual increase in radius per rank. Items New Mutentacles have been improved, with higher base Damage and Elemental Attack Strengths bonus. Id Pulsar weapons should now ignore friendly targets. Patch Notes Disclaimer While we make every effort to include all upcoming changes in our patch notes, please be aware that occasionally some changes are unintentionally omitted.
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【Tags tT wowaka Miku U】 Original Project Diva Extend 39 s Giving Day Music Title 裏表ラバーズ Two-Faced Lovers (Ura-omote Lovers) Music Lyrics written, Voice edited by wowaka / a.k.a. / 現実逃避P(Genjitsutouhi-P) Singer 初音ミク (Hatsune Miku) Click here for the Japanese Lyrics English Lyrics (translated by KataGatar): Everything went well on my dream, and I awoke to find My brain environment occupied by an unidentified object called love, and then My torn-in-two mental environment Could never controlled by existing capacity, therefore- Among those speeches of miscellaneous, ambigious and innocent sensationalism, Somehow, the soul searches for eyes to know where s here Everything is dubious everyday, and then, like that, you know, Good bye Baby My heart consists of two sides of realism and escapism "Is there something good?" I asked to the opposite of myself I ask myself, You tell me, You ask me here and there, AAAA I just instinctively touched you, but I wanted to say nothing to you, Aching, touching, gasping, heavenly driving Anything, anywhere, anyway, anyways, anyhow, It s time to fly away right now! Feel free to fall in love Expanding your midriff Burst out by the strong taste Life-sized duplicity Binding them forcefully Pasting over the retina Now you can fall in love I miss you, with you, nope! Everything went bad on my dream, and I awoke to find My brain environment occupied by an unidentified object called love, and then My torn-in-two mental environment could never controlled by new limiters, therefore- Collecting those egoism of miscellaneous, ambiguous and innocent catastrophe, Somehow, I got the words to tell where s here, seemingly Everything is dubious everyday, and then, like that, you know, Good bye Baby My heart consists of two sides of realism and escapism "Are there something good?" I asked to the opposite of myself I ask myself, You tell me, You ask me here and there, AAAA I just instinctively touched you, but I wanted to say nothing to you, Aching, touching, gasping, heavenly driving Anything, everything, anywhere, everywhere, anyway, anyhow, Fly away right now! Rejecting them so randomly Planning where to go today Making them to say "please" Wait for life-sized another face! Inviting them provocatively Singing a song impulsively Now you can fall in love Almost no love Feel free to fall in love Expanding your midriff Burst out by the strong taste Life-sized duplicity Binding them forcefully Pasting over the retina Now it s time to fall in love Love love love love nope! Romaji lyrics (transliterated by haru47): ii koto zukume no yume kara same ta watashi no nounai kankyou wa, rabu to iu etai no shire nai mono ni okasa re te shimai mashi te, sorekara wa. doushiyou mo naku futasu ni sake ta shinnai kankyou wo seigyo suru dake no kyapashithii nado ga sonzai shiteiru hazu mo nai no de aimai na taigai no inosento na kanjouron wo buchimake ta koto no ha no naka dou nika kou nika genzaichiten wo kakunin suru medama wo hoshi gatte iru, sei doushite zukume no mainichi soushite aashite koushite sayonara beibe- genjitsu chokushi to genjitsu touhi no hyouri ittaina kono shinzou dokoka ni yoi koto nai kana, nante uragaeshi no jibun ni tou yo. jimonjitou , jimontadou , tamonjitou tsuremawashi, aaaa tada honnoutekini fure chatte, demo ii tai koto tte nain de, itainde, sawatte, aeide, ten nimo nobo reru ki ni natte, dou nimo kou nimo nicchi mo sacchi mo acchi mo kocchi mo ima sugu achira e tobikon de ike. mo- raburabu ni nachatte- oukakumaku tsuppacchatte- kyouretsu na aji ni button de- toushindai no ura / omote kyouwakutekini shibacchiatte- moumaku no ue ni hacchaatte- mo- raburabu de icchatte yo! aitaitainai, nai! iyana koto zukume no yume kara same ta watashi no nounai kankyou ga, rabu to iu etai no shire nai mono ni okasa re te shimai mashi te, sorekara wa. doushiyou mo naku futasu ni sake ta shinnai kankyou wo seigyo suru tame no rimitta- nado wo kakeru to iu wake nimo ika nai no de taigai wa aimai na inosento na daisaigai wo furimai ta ego wo harama se dou nika kou nika genzaichiten wo kakuninshita kotoba wo teni tsukan da you da. doushite zukume no mainichi soushite aashite koushite sayonara beibe- genjitsu chokushi to genjitsu touhi no hyouri ittaina kono shinzou dokoka ni yoi koto nai kana, nante uragaeshi no jibun ni tou yo. jimonjitou , jimontadou , tamonjitou tsuremawashi, aaaa tada honnoutekini fure chatte, demo ii tai koto tte nain de, itainde, sawatte, aeide, ten nimo nobo reru ki ni natte, dou nimo kou nimo nicchi mo sacchi mo acchi mo kocchi mo ima sugu achira e tobikome! moumokutekini kiracchatte- kyou iku yotei tsukucchatte- doushitemo tte iwa se chatte- toushindai no ura wo mate! chouhatsuteki ni sasocchatte- shoudouteki ni utacchatte- mo- raburabu de icchatte yo! daitai, ai, nai. mo- raburabu ni nachatte- oukakumaku tsuppacchatte- kyouretsu na aji ni button de- toushindai no ura / omote kyouwakutekini shibacchiatte- moumaku no ue ni hacchaatte- mo- raburabu de icchatte yo! aiaiaiainai! [wowaka, a.k.a., Genjitsutouhi-P, GenjitsutouhiP]
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Mastering Calculations In Linear And Nonlinear Mechanics With 143 Figures (Mechanical Engineering Series) Springer? Pierre Ladeveze? Jean Pierre Pelle? Theofanis Strouboulis? Springer? PierreLadeveze? JeanPierrePelle? TheofanisStrouboulis? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-LinearProgramming? Subjects-Science-General Subjects-Science-Mathematics-Applied-LinearProgramming? Functional Tissue Engineering Springer? Farshid Guilak? David L. Butler? Steven A. Goldstein? David J. Mooney? Springer? FarshidGuilak? DavidL.Butler? StevenA.Goldstein? DavidJ.Mooney? ジャンル別? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Engineering-Chemical-General? Subjects-Engineering-General? Subjects-Medicine-SpecialTopics-Biotechnology? Subjects-Medicine-SpecialTopics-Prosthesis? Subjects-Medicine-Specialties-Surgery-General? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Medical-BasicSciences-Biotechnology? Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-Medical-BasicSciences-Cytology? Subjects-Professional&Technical-Medical-Medicine-Surgery-GeneralSurgery? Subjects-Professional&Technical-Medical-Medicine-Reference-Instruments&Supplies? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Subjects-Science-BiologicalSciences-Biology-General? Subjects-Science-BiologicalSciences-Biology-CellBiology? Subjects-Science-Medicine-SpecialTopics-Biotechnology? Subjects-Science-Medicine-SpecialTopics-Prosthesis? Subjects-Science-Medicine-Specialties-Surgery-General? Emerging Optical Network Technologies Architectures, Protocols And Performance Springer? Krishna M. Sivalingam? Suresh Subramaniam? Springer? KrishnaM.Sivalingam? SureshSubramaniam? ジャンル別? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-Networks? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-CertificationCentral-Subjects-Networking? Subjects-Computers&Internet-CertificationCentral-General? Subjects-Engineering-ComputerTechnology-ImagingSystems? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-ImagingSystems? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Principles Of Spread-spectrum Communication Systems Springer? Don J. Torrieri? Springer? DonJ.Torrieri? ジャンル別? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Wireless Optical Communication Systems Springer? Steve Hranilovic? Springer? SteveHranilovic? ジャンル別? Subjects-Computers&Internet-WebDevelopment-Platforms&Administration-CellularCommunications? Subjects-Computers&Internet-WebDevelopment-Platforms&Administration-WirelessCommunications? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Engineering-ComputerTechnology-ImagingSystems? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-ImagingSystems? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Emerging Solutions For Future Manufacturing Systems IFIP TC 5/WG 5.5 Sixth IFIP International Conference On Information Technology For Balanced Automation Systems In Manufacturing And Services, 27-29 Se (International Federation for Information Processing) Springer? IFIP TC 5? WG 5.5 IFIP INTERNATIONAL Conference? Luis M. Camarinha-Matos? Springer? IFIPTC5? WG5.5IFIPINTERNATIONALConference? LuisM.Camarinha-Matos? ジャンル別? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Verilog Frequently Asked Questions Language, Applications And Extensions Springer? Shivakumar Chonnad? Needamangalam Balachander? Springer? ShivakumarChonnad? NeedamangalamBalachander? ジャンル別? Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Electrical&Electronics-Circuits? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Signal Processing For Telecommunications And Multimedia (Multimedia Systems and Applications) Springer? Tadeusz Wysocki? Bahram Honary? Beata J. Wysocki? Springer? TadeuszWysocki? BahramHonary? BeataJ.Wysocki? ジャンル別? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-MultimediaInformationSystems? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Queueing Theory With Applications To Packet Telecommunication Springer? John N. Daigle? Springer? JohnN.Daigle? ジャンル別? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Science-General DSP For In-Vehicle And Mobile Systems Springer? Huseyin Abut? John H. L. Hansen? Kazuya Takeda? Springer? HuseyinAbut? JohnH.L.Hansen? KazuyaTakeda? ジャンル別? Subjects-Computers&Internet-Hardware-Microprocessors&SystemDesign-DSPs? Subjects-Computers&Internet-General? Subjects-Engineering-Automotive? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Uncertainty in the Electric Power Industry Methods and Models for Decision Support (International Series in Operations Research and Management Science) Springer? Christoph Weber? Springer? ChristophWeber? ジャンル別? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Professional&Technical-ProfessionalScience-Physics-Energy? Subjects-Science-General Subjects-Science-Mathematics-Applied-General? Subjects-Science-Mathematics-Applied-Probability&Statistics? Subjects-Science-Physics-Energy? Emerging Location Aware Broadband Wireless AD HOC Networks Springer? Rajamani Ganesh? Sastri L. Kota? Kaveh Pahlavan? Ramon Agusti? Springer? RajamaniGanesh? SastriL.Kota? KavehPahlavan? RamonAgusti? ジャンル別? Subjects-Computers&Internet-WebDevelopment-Platforms&Administration-CellularCommunications? Subjects-Computers&Internet-WebDevelopment-Platforms&Administration-WirelessCommunications? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Telecommunications-Radio&Wireless? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Telecommunications-Radio&Wireless? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Science-General Subjects-Science-Mathematics-Applied-Probability&Statistics? Quality Of Telephone-based Spoken Dialogue Systems Springer? Sebastian Moller? Springer? SebastianMoller? ジャンル別? Subjects-Computers&Internet-Software-Business-SpeechProcessing? Subjects-Computers&Internet-Software-VoiceRecognition? Subjects-Computers&Internet-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-QualityControl? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-QualityControl? Subjects-Professional&Technical-Engineering-General Subjects-Science-General ByPublisher-McGraw-Hill-McGraw-HillEngineeringStore-QualityEngineering-Manufacturing? Inverse Problems Mathematical And Analytical Techniques With Applications To Engineering (Mathematical and Analytical Techniques with Applications to) Springer? Alexander G. Ramm? A. G. Ramm? Springer? AlexanderG.Ramm? A.G.Ramm? ジャンル別? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Engineering-General? Subjects-Health,Mind&Body-PersonalHealth-Stress-AlexanderTechnique? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Science-General Subjects-Science-Mathematics-Applied-General? Singular Perturbation Theory Mathematical And Analytical Techniques With Applications To Engineering (Mathematical and Analytical Techniques With Applications to Engineering) Springer? R. S. Johnson? Springer? R.S.Johnson? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-DifferentialEquations? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-MathematicalAnalysis? Subjects-Professional&Technical-ProfessionalScience-Mathematics-MathematicalPhysics? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-MathematicalAnalysis? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Mathematics-Applied-DifferentialEquations? Subjects-Science-Mathematics-MathematicalPhysics? Subjects-Science-Physics-General? Structural Sensitivity Analysis And Optimization Linear Systems (Mechanical Engineering Series) Springer? Kyung K. Choi? Nam H. Kim? Springer? KyungK.Choi? NamH.Kim? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Automotive? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Civil-Structural? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Managing Product Life Cycle In A Supply Chain A Prescription Based On Empirical Research Springer? Sameer Kumar? William A. Krob? Springer? SameerKumar? WilliamA.Krob? ジャンル別? Subjects-Business&Investing-Industries&Professions-Purchasing&Buying? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-ManagementScience? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-Purchasing&Buying? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-ManagementScience? New Product Development An Empirical Study of the Effects of Innovation Strategy, Organization Learning, and Market Conditions Springer? Sameer Kumar? Promma Phrommathed? Springer? SameerKumar? PrommaPhrommathed? ジャンル別? Subjects-Business&Investing-BusinessLife-OrganizationalLearning? Subjects-Business&Investing-General? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-OrganizationalLearning? Newton-euler Dynamics Springer? M.D. Ardema? Springer? M.D.Ardema? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-Dynamics? Subjects-Science-General Subjects-Science-Physics-Dynamics-General? Subjects-Science-Reference-Engineering? Surface Effects in Magnetic Nanoparticles (Nanostructure Science and Technology) Springer? D. Fiorani? Springer? D.Fiorani? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-Electromagnetism? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-General? Subjects-Science-EarthSciences-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Electromagnetism-General? Basic Coastal Engineering Springer-Verlag? Robert M. Sorensen? Springer-Verlag? RobertM.Sorensen? ジャンル別? Subjects-Engineering-SpecialTopics-Ocean&CoastalEngineering? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Hydrology? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Hydrology? Subjects-Professional&Technical-Engineering-SpecialTopics-Ocean&CoastalEngineering? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geology? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-General Structural Sensitivity Analysis And Optimization 2 Nonlinear Systems And Applications (Mechanical Engineering Series) Springer? Kyung K. Choi? Nam H. Kim? Springer? KyungK.Choi? NamH.Kim? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Automotive? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Civil-Structural? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Professional&Technical-Engineering-General 洋書
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第7場 ロザリンデ、アイゼンシュタイン、後でアデーレ <アイゼンシュタイン> あれが弁護人だぜ!あんなナンセンスなやつを裁判所にはびこらせちゃいかんな! <ロザリンデ> かわいそうなガブリエル!8日間も - しかも今日から! <アイゼンシュタイン> しかも今日からさ! (歌う) お別れしなきゃならないなんて! <ロザリンデ> こんな素敵なテナーを有罪なんて 野蛮人だわ! <アイゼンシュタイン> やつらは俺のテナーも一緒に閉じ込めて置きたいんだろうよ、だけどなんとかもぎ取ったぜ 自由にできる数時間ほどを お前と最後の食事ができるようにと (ベルを鳴らす) やつらを責めるわけにもいかないさ:三度も招待を受けて一度も行かなかったんだからな! <アデーレ> (涙ぐんだ目、小さな声で) 御用ですか? <アイゼンシュタイン> どうしたんだ?何で泣いてるんだ?俺のためにじゃないよな アデーレ? <アデーレ> (すすり泣き) あたしのかわいそうな叔母さん! <ロザリンデ> 死にそうな重い病気なのだそうよ! <アイゼンシュタイン> 重い病気だって?俺は彼女がブドウ畑でロバに乗ってるところを見て来たばかりだぜ <アデーレ> (ひとりごと) しまった! <ロザリンデ> (アデーレを見ながら) 叔母さんは病気なのよね? <アデーレ> 知りません お医者さまがロバを診察していたのかどうかなんて <アイゼンシュタイン> 今から急いで「ゴールデンライオン」で 晩飯を注文してきてくれ。 良質で高級なものなら何でも届けてくれと。 (アデーレ 行こうとする) もう一つ!戻っってきたら俺の古着の中から一番汚くて古いやつを選んで置いてくれ、破けてみすぼらしいのがいい <アデーレ> 物乞いでもされるんですか? <アイゼンシュタイン> いや 今夜そういうお仲間になるつもりはないさ。まず夕食だ!俺は今夜だけはこのファミリーテーブルで食事を取りたいんだ <アデーレ> (出がけに叫ぶ) ファルケ博士! 第8場 ロザリンデ、アイゼンシュタイン、ファルケ博士 <ファルケ> (非常に陽気に) ああ、やつはまだここにいたか! (ロザリンデの手にキス) 奥様 いつもお美しい!心よりお祝い申し上げますよ あなたがこの暴君から8日間も離れていられるなんて (アイゼンシュタインに手を差し出して) しかしお前もツイてるな。3日も追加して貰えるなんてなかなかの成果だぞ。裁判所に感謝の手紙でも出したらどうだ! <ロザリンデ> ちょっと、博士! <アイゼンシュタイン> ほっとけよ。ひどく落ち込んでる時には、こんな悪ふざけも気にならないもんなんだ!地下倉庫に行って何か持ってきてくれ。この悪い舌を静めるんだ どんどん辛口になる前に <ロザリンデ> これ以上の悪い冗談はないわ 博士!私たちはこのかわいそうな囚人が少しでも元気になれるようにしてあげなくちゃ (退場) 第9場 アイゼンシュタイン、ファルケ <ファルケ> (ロザリンデの後ろから声をかける) もちろん、こいつを元気づけるためにここにいるんですよ 美しい奥様! (アイゼンシュタインにそっと) 俺はお前をすばらしい晩餐会に招待しに来たんだ オペラのすてきな幕間劇付きの <アイゼンシュタイン> お前正気か?俺は一時間以内に処罰を受けなきゃなんないんだぜ <ファルケ> 牢屋に入るのは明日の朝早くで大丈夫だ。今日は俺と一緒にオルロフスキー邸に行こう 若いロシアのプリンスで そこで湯水のように金を使ってる。女もそこにたくさんいるぜ。女だぞ おい 全くの花盛りなんだぞ ツバキからスミレまでの! <アイゼンシュタイン> オペラ座のなじみの踊り子の女たちは? <ファルケ> 何考えてんだ? (舌打ちして) 第一カドリールの俊英もいれば、若い新人も何人かいるぜ 言ってみりゃ ねずみちゃんてとこかな。 <アイゼンシュタイン> おい 口が渇いてきちまったぜ! けどプリンスかあ... <ファルケ> 俺の知り合いから若いのを何人か呼んでくるように言われてんだけどな <アイゼンシュタイン> そりゃ嬉しいなあ そういう愛すべき仲間の中に入れて貰えるのは! <ファルケ> そりゃいつでもトンデモないアイディアで一杯の連中だからな 例えば3年前、シェーレンドルファーでの仮面舞踏会の時に <アイゼンシュタイン> 俺は蝶々に、お前はコウモリに扮したな。ハハ!覚えてるか? <ファルケ> (きっぱりと) 忘れられるわけないだろ! <アイゼンシュタイン> そりゃ最高の冗談だったからな! <ファルケ> ああ、蝶々にとってはな、だがこうもりの方はそうじゃないぜ! <アイゼンシュタイン> 今日主審をしてたヘリング博士もそこにいたっけな。腹を抱えて笑っていたもんで言えなかった 「うまく行ったな 兄弟」って。そいつが今日法廷に俺を呼び出して 「名前は?」と聞き、8日の刑をくらわせたんだぜ。まったくとんでもない親友さ! (ポケットから時計を取り出し、ゆらゆらと揺らす) <ファルケ> ああ、これがかの「ねずみ取り」だな! <アイゼンシュタイン> どういう意味だ? <ファルケ> みんな言ってるぞ お前がその可愛らしい時計ですべての「椿姫」たちを誘惑してるって。もしやらせてくれるなら、これは君のものだってな <アイゼンシュタイン> だけどまだ誰にもやってないぜ! (笑う) <ファルケ> ひでえ奴だ。お前は今夜もまたその餌を垂らすんだろ、俺がお前もパーティの参加者のひとりに数えてるもんだから? Nr. 3 - デュエット <ファルケ> 一緒に行こうぜ 晩餐会へ そいつはすぐ近くであるのさ お前が静かな牢屋の中で 二日酔いを覚ますのはその後だ お前だって人生を楽しまなくちゃな 陽気な兄弟分になろうぜ! バレリーナたちは 軽やかな足取りで 目のくらむような衣装を着て お前をバラの鎖で縛るんだ ポルカの音楽が誘うように鳴り響けば 友よ 分かるか 若返るんだぜ! さんざめく音がきらめくホールの中に響き キレイな歌姫たちと すごい御馳走にありつく 時間はあっという間に過ぎるさ 喜びと笑いのうちに それでお前も元気になるのさ つらいことを皆忘れて 牢屋でお前がへこまないように 何でもお前のやりたいことをしろよ 気晴らしになることを 分かってるな? <アイゼンシュタイン> 分かってるさ- だけど女房にゃ知られちゃまずいな <ファルケ> お別れに優しくキスしてやればいい 言うのさ:さよなら 俺のかわいい子猫ちゃん ってな <アイゼンシュタイン> いや違う! 俺のねずみちゃん って言うのさ だって猫みたいに俺は忍び出るんだからな この家からそっと <ファルケ> だって猫みたいにお前は忍び出るんだからな この家からそっと そして、彼女がぐっすり眠っている間、 お前は行ってるんだ 牢屋の代わりに 俺と天国の饗宴へ! <アイゼンシュタイン> お前と天国の饗宴へ! <ファルケ> 俺はお前を外国人として連れていくぜ 「ルナール侯爵」とそこでお前は名乗るんだ そうすりゃ誰も気づかない やれるか? <アイゼンシュタイン> ああ、ちょっとなあ... <ファルケ> やれよ! <アイゼンシュタイン> けどなあ... <ファルケ> お前はしなきゃダメなんだ 健康のためにも必要なのさ! <アイゼンシュタイン> ああ、分かった お前が正しい そういう口実も悪くない! <ファルケ> 牢屋でお前がへこまないように... <アイゼンシュタイン> 牢屋で俺がへこまないように... <二人> 何でもお前(俺)のやりたいことをするのさ 気晴らしになることを <ファルケ> じゃあお前来るんだな? <アイゼンシュタイン> 行かずにいられるか?ああ、一緒に行こうぜ <ファルケ> 悪魔にお前の遠慮なんかくれちまえ! <二人> 晩餐会が今宵 俺たちを招く こんな凄いのは今までにはないぜ 可愛い女の子が 選び放題 気ままに皆 そこで笑い歌う ラララ... (二人は陽気に部屋中を踊りまわる ロザリンデ入ってくる) 第10場 アイゼンシュタイン、ファルケ、ロザリンデ <ロザリンデ> (破れたコートと古い帽子を手に驚いてこの踊り手たちを見つめる) 何なのいったい? <アイゼンシュタイン、ファルケ> (踊りを中断する) <ロザリンデ> いったい何をしてるの、あなた? <ファルケ> (いささか恥ずかしそうに) いや別に、うまくいったかい? <アイゼンシュタイン> 俺を慰めてくれたのさ <ファルケ> 難しい任務だったが、俺は何とかやり遂げた <アイゼンシュタイン> ああ、俺は監獄に行ってやるぜ 派手な祝宴に行くみたいにな! <ファルケ> ところでいったい何を持ってこられたのですか 奥様? <ロザリンデ> 牢屋に入るための衣装よ (アイゼンシュタインの頭に帽子をかぶせる) 帽子の具合はちょうどいいかしら? <アイゼンシュタイン> (帽子を投げ捨てる) こりゃなんなんだよ!お前 俺を泥棒にするつもりか? <ロザリンデ> でも、あなたそうアデーレに命じたじゃない... <ファルケ> (コートを手に取って) それにこのコート!こんなのを着ていったら、看守に25年くらい歓迎され続けるかも知れませんよ! <ロザリンデ> (びっくりして) まあ! <ファルケ> (自分の帽子を手に取る) 奥様... <ロザリンデ> もう帰られるのですか? <ファルケ> もう夜も遅いですし、私は刑務所長のフランク氏のところも訪ねて行きたいのです。そこで待っていることにしますよ、わが友アイゼンシュタインを! (退場) <アイゼンシュタイン> (彼に声をかける) ねずみちゃんによろしく伝えてくれよな! 第11場 ロザリンデ、アイゼンシュタイン。 <ロザリンデ> ねずみちゃん? <アイゼンシュタイン> もちろん、ねずみちゃんさ!ねずみは、刑務所の詩情を象徴する生き物だろ <ロザリンデ> なんてことなの、ねずみと一緒にあなた押し込められるの! <アイゼンシュタイン> なぜだめなんだ?奴らはかなりコミカルな生き物だろ。一緒に刑務所暮らしを満喫するのさ。 (歌う) ユッヘイッサ ホッサッサ トラララ! <ロザリンデ> 今はユッヘイッサ ホッサッサなんて呑気に歌ってる時間はないでしょ! <アイゼンシュタイン> いや、これは俺が着て行く服を考える時間なのさ。 <ロザリンデ> 刑務所に行くための服を? <アイゼンシュタイン> もちろんさ!ファルケが言うにはあそこの中にだって社交界が見つかる可能性がかなりあるんだそうだからな。 (ロザリンデの額にキス) 俺は知ってるぜ 何を着ればいいか 黒いベルベットとシルクで 山高帽だ すぐに戻ってくるからな! (退場) 第12場 ロザリンデ、後でアデーレ <ロザリンデ> 一人で あの人まるで別人みたいだわ!刑務所に行くのがそんなに嬉しいのかしら。私にもこのどん底の状況で何をすればよいか分かっていればいいのだけれど? 私は彼に会うことを誓ってしまった、一度その深刻な誓ってしまったからには、どんなに厳しくても、その誓いを守らなければいけないのよ! <アデーレ> (鼻の穴にバラの花束を突っ込んだイノシシの頭のプレートを運んできて) 「ライオン」は、このイノシシの頭を寄こしてきました <ロザリンデ> それであなたはそのモンスターを受け取ったの? <アデーレ> だって他になかったんです <ロザリンデ> (イノシシの頭の前で物思いにふけって) だから私は(彼を)受け入れなければならないの? <アデーレ> もちろんです もうお金払っちゃったんですから! <ロザリンデ> (アデーレを無視して) 私は誓いを守らなければならないわ。でも一度彼を入れたら、すぐに出て行ってもらうことにしましょう。でもアデーレが邪魔にならないようにしなければ (アデーレに) ねえ、年老いた病気の叔母さんはロバに乗った後はどんな具合なの? <アデーレ> えっ、そうですね!状態はまあ... <ロザリンデ> 年老いた病気の叔母さんじゃなくて健康な若い従兄弟なんでしょう? <アデーレ> 奥様 よしてください... <ロザリンデ> でもどうでもいいわ、叔母でも従兄弟でも、私はあなたに何も聞かずにお休みをあげる <アデーレ> 本当ですか、奥様? でもさっきはダメっておっしゃったんじゃ? <ロザリンデ> あの時は機嫌が悪かったの 今は気分がずっと良くなったからよ <アデーレ> 高貴なご領主様が投獄されるからじゃないんですか? <ロザリンデ> 生意気ね! <アデーレ> すみません 奥様! 第13場 ロザリンデ、アデーレ、アイゼンシュタイン <アイゼンシュタイン> (エレガントな舞踏会の衣装で、香りを振りまきながら) うん 髪にはヴィオレ·ド·マースだな ハンカチにはフルールドランジュ!あとは燕尾服にオーデコロンをかければ完璧だ。アデーレ、聞いてるか? オーデコロンを持っておいで <アデーレ> (香水のビンを渡す) <アイゼンシュタイン> (振りまきながら) これでけっこういい香りになってきたな! <ロザリンデ> こんな立派な舞踏会の衣装を着て牢屋でいったい何をするの? <アイゼンシュタイン> こうしてやつらにプライドを見せつけてやるのさ!あの泥棒紳士諸君にわれわれが見下されないようにな。花がないかな、バラでもツバキでも... (豚の頭の鼻のところの花束に気づき) 失礼、イノシシ男爵殿! (彼のボタン穴にバラを挿す) <ロザリンデ> 信じられない! <アイゼンシュタイン> じゃあ時間だ。さらば! <ロザリンデ> どうして?夕食もせずに? <アイゼンシュタイン> 俺はねずみちゃんたちと食うのさ <アデーレ> じゃあこの豚の頭はどうなるのかしら? <ロザリンデ> あなたの気の毒な病気の叔母さんに持っていってあげて! <アデーレ> ありがとうございます、奥様!病気の叔母さんの弱った胃袋もたちまち回復するでしょう! <アイゼンシュタイン> (愛情をこめて腕を広げて) ロザリンデ、俺の大切なロザリンデ! <ロザリンデ> (彼の腕に回りながら飛び込み) かわいそうなガブリエル <アイゼンシュタイン> 甘い夢を見てお休みよ 俺が眠れぬ夜を一晩中過ごしている間 (ダンスのステップをする) <アデーレ> (ため息をつき) なんて悲しいんでしょう! <アイゼンシュタイン> こんな時には人は悲しみで死んでしまうか それとも急いでお互いお別れするかのどちらかを選ぶしかない。お別れする方を選ぼう! <ロザリンデ> (すすり泣きながら) 無理よ! <アデーレ> やってみるだけしてくださいよ。多分効果がありますから! <アイゼンシュタイン> しっかりしろ 妻よ しっかりしろ! Nr. 4 - 三重唱 <ロザリンデ> それじゃ私はひとりっきりね 8日間も あなたなしで! どうやったら私は伝えられるのかしら 私の嘆きの この激しさを! どうやって私は耐えればいいのでしょう、 夫が私を残して行ってしまうのに? 誰に私は、この苦しみを訴えればいいのでしょう おお神さま どうして心は乱れるの 私はあなたのことを想い続けるわ 朝のコーヒーの時間にも あなたの分も淹れるのよ 空のカップを見つめて あなたに挨拶をおくることもできないのね 悲しみながら私はきっと その黒くて苦いコーヒーを飲み干すの ああ! <アイゼンシュタイン> おお神さま どうして心は騒ぐんだ! <三人で> おお神さま どうして心は騒ぐの! おや どうして おや どうして こんなに心は騒ぐの! <ロザリンデ> 信じあった夫婦はどこ お昼の時間がやってきたのに? ステーキや スープ ローストビーフ でも夫はいない! そして夜の帳が降りるときには 私はまた涙にくれる 私の苦しみは限りないの! <三人で> おお神さま どうして心は騒ぐの! おや どうして おや どうして こんなに心は騒ぐの! <アイゼンシュタイン> 嘆いていて何になる 頭が変になりそうだぜ <ロザリンデ> 私の頭はボーッとしてる <アデーレ> (豚の頭(料理)を持ち上げて) あたしのはこの中よ! <アイゼンシュタイン> じゃあな、俺は行かなくちゃならない! <ロザリンデ> さよなら あなたは行かなくちゃいけないのね! <アデーレ> お元気で ご主人様は行かなくちゃいけない <三人で> だけどまだひとつだけ甘い慰めが残ってる <アデーレ> 再びまた会えることが 再びまた会えることが! <三人で> おお神さま おや どうして こんなに心は騒ぐの! アイゼンシュタインは踊りながら退場 アデーレが続く ロザリンデが残される SIEBENTER AUFTRITT Rosalinde. Eisenstein. Später Adele. EISENSTEIN Ist das ein Vertreter! Solch blühender Unsinn hat noch in keinem Gerichtssaal gewuchert! ROSALINDE Mein armer Gabriel! Acht lange Tage - und heute noch! EISENSTEIN Heute noch! singt Es muss geschieden sein! ROSALINDE Und mit so einem Tenor haben sie dich verurteilen können, die Barbaren! EISENSTEIN Sie haben mich mit meinem Tenor gleich dort behalten wollen, und ich habe verflucht zu Kreuze kriechen müssen, bis man mir noch ein paar Stunden Freiheit bewilligt hat, um mit dir speisen zu können klingelt Verdenken kann ich s ihnen nicht dreimal haben sie mich eingeladen; wer aber nicht kam, war ich! ADELE mit verweinten Augen, gepresster Stimme Befehlen? EISENSTEIN Was bedeutet das? Du hast geweint? Doch nicht um mich, Adele? ADELE schluchzt Meine arme Tante! ROSALINDE Die arme Frau ist sterbenskrank! EISENSTEIN Sterbenskrank? Ich habe sie ja soeben hoch zu Esel in die Weinberge reiten sehen. ADELE für sich O verwünscht! ROSALINDE blickt auf Adele So krank ist sie? ADELE Wer weiss, ob ihr der Doktor nicht den Esel verordnet hat? EISENSTEIN Eile jetzt in den "Goldenen Löwen" und bestelle ein delikates Souper. Was gut und teuer ist, soll man uns liefern. Adele will fort Noch eins! Wenn du zurückkehrst, suchst du mir aus meinen alten Kleidern den ältesten, schmutzigsten, zerrissensten und miserabelsten Anzug heraus. ADELE Wollen Euer Gnaden betteln gehen? EISENSTEIN Nein, aber ich will nicht angebettelt werden in der Gesellschaft, deren Mitglied ich heute nacht sein werde. Vor allem das Souper! Ich will mir heute noch bene tun an meinem Familientische. ADELE meldet im Abgehen Herr Dr. Falke! ACHTER AUFTRITT Rosalinde. Eisenstein. Dr. Falke. FALKE sehr heiter Ah, da ist er noch! küsst Rosalinde die Hand Mein Kompliment, schönste aller Frauen! Ich gratuliere von Herzen, dass Sie den Tyrannen auf acht Tage loswerden. reicht Eisenstein die Hand Aber auch dir wünsche ich Glück, denn die Zugabe von drei Tagen ist immerhin eine Errungenschaft, für die du dem Gerichtshofe eine Dankadresse schuldig bist! ROSALINDE Aber Herr Doktor! EISENSTEIN Lass ihn nur. Wer den Schaden hat, braucht für den Spott nicht zu sorgen! Schicke in den Keller, liebe Frau; die böse Zunge muss genetzt werden, wenn sie nicht zu spitz werden soll. ROSALINDE Keine schlechten Witze mehr, lieber Doktor! Wir müssen ja unseren armen Arrestanten ein wenig aufzuheitern suchen. ab NEUNTER AUFTRITT Eisenstein. Falke. FALKE Rosalinde nachrufend Freilich, ihn zu zerstreuen und aufzuheitern bin ich ja da, schöne Frau! leiser zu Eisenstein Ich komme, dich zu einem fürstlichen Souper mit den reizenden Koryphäen der Oper einzuladen. EISENSTEIN Bist du toll? Ich muss ja binnen einer Stunde meine Strafe antreten. FALKE Den Arrest kannst du morgen in aller Frühe antreten. Heute gehst du mit mir in die Villa Orlofskys, des jungen russischen Fürsten, der hier im Bade fabelhafte Summen verschwendet. Damen findest du dort, Damen, sag ich dir, ein wahrer Blütenflor, von der Kamelie bis zum Veilchen! EISENSTEIN Sind die Damen etwa die alte Garde der Oper? FALKE Wo denkst du hin? zungenschnalzend Die Eliteder ersten Quadrille und dann einige von dem jugendlichen Nachwuchs, die sogenannten Ratten. EISENSTEIN Teufel, mir wässert der Mund! Aber der Prinz ... FALKE ... hat mich dringend ersucht, einige junge Lebemänner meiner Bekanntschaft einzuladen. EISENSTEIN Man schmeichelt mir allerdings, dass ich ein liebenswürdiger Gesellschafter bin! FALKE Und dabei immer mit den tollsten Einfällen bei der Hand, zum Beispiel vor drei Jahren, als wir den Scheelendorfer Maskenball besuchten ... EISENSTEIN Ich als Papillon, du als Fledermaus. Haha! Erinnerst du dich noch? FALKE bedeutungsvoll Oh, so etwas vergisst man nicht so leicht! EISENSTEIN Es war ein kapitaler Spass! FALKE. O ja, für den Papillon, aber nicht für die Fledermaus! EISENSTEIN Dr. Häring, der heute präsidierte, war auch dabei. Hielt sich den Bauch vor Lachen und konnte mir nicht oft genug zurufen "Das ist dir gelungen, Bruder!" - Und heute trug er mich "Wie heissen Sie?" Und diktierte mir acht Tage. Oh, dieser schlechte gute Freund! zieht seine Uhr aus der Tasche, lässt sie repetieren. FALKE. Ah, da ist ja der gewisse Rattenfänger! EISENSTEIN Was meinst du? FALKE Man behauptet, dass du mit dieser niedlichen Repetieruhr alle Kameliendamen köderst, wenn du ihnen den Hof machst. Du versprichst sie einer jeden ... EISENSTEIN ... aber gegeben habe ich sie noch keiner! lacht FALKE Spitzbube, du wirst heute nacht abermals diesen Köder auswerfen können, denn ich rechne damit, dass du von der Partie bist? Nr. 3 - Duett FALKE Komm mit mir zum Souper, Es ist ganz in der Näh. Eh du in der stillen Kammer Laborierst am Katzenjammer, Musst du dich des Lebens freun, Ein fideler Bruder sein! Ballerinen, leicht beschwingt, In den blendendsten Toiletten, Fesseln dich mit Rosenketten, Wenn die Polka lockend klingt. Freundchen, glaub mir, das verjüngt! Bei rauschenden Tönen im blendenden Saal Mit holden Sirenen beim Göttermahl, Da fliehen die Stunden in Lust und Scherz, Da wirst du gesunden von allem Schmerz. Soll dir das Gefängnis nicht schädlich sein, Musst du etwas tun, dich zu zerstreun. Siehst du das ein? EISENSTEIN Das seh ich ein. - Doch meine Frau, die darf nichts wissen. FALKE Du wirst zum Abschied zärtlich sie küssen, Sagst Lebewohl, mein süsses Kätzchen! EISENSTEIN Nein, nein! Mein Mauserl, sage ich, Denn als Katze schleich ich selbst Aus dem Hause mich. FALKE Denn als Katze schleichst du selbst Aus dem Hause dich. - Und während sie schläft ganz fest, Gehst du statt in deinen Arrest Mit mir zu dem himmlischen Fest! EISENSTEIN Mit dir zu dem himmlischen Fest! FALKE Ich führe dich als Fremden ein, "Marquis Renard" sollst dort du sein. So wird man nichts erfahren können. Willst du? EISENSTEIN Ach, ich wäre schon erbötig ... FALKE Du musst! EISENSTEIN Wenn nur ... FALKE Du musst dir s vergönnen, Zur Gesundheit ist s ja nötig! EISENSTEIN Ja, ich glaub, du hast recht. Die Ausred ist nicht schlecht! FALKE Soll dir das Gefängnis nicht schädlich sein ... EISENSTEIN Soll mir das Gefängnis nicht schädlich sein ... BEIDE .... Musst du (Muss ich) etwas tun, dich (mich) zu zerstreun! FALKE So kommst du? EISENSTEIN Wer kann widerstehn? Ja, ich bin dabei. FALKE Zum Teufel mit deiner Leimsiederei! BEIDE Ein Souper uns heute winkt, Wie noch gar keins dagewesen Schöne Mädchen, auserlesen, Zwanglos man dort lacht und singt. Lalalala ... Beide tanzen lustig durchs Zimmer, während Rosalinde eintritt. ZEHNTER AUFTRITT Eisenstein. Falke. Rosalinde. ROSALINDE mit einem zerrissenen Rock und alten Hut blickt erstaunt auf die Tanzenden Was ist denn das? EISENSTEIN, FALKE unterbrechen den Tanz ROSALINDE Was treibt ihr denn, meine Herrn? FALKE etwas verlegen Nicht wahr, das ist mir gelungen? EISENSTEIN Er hat mich getröstet. FALKE Eine schwierige Aufgabe, aber ich habe sie glücklich gelöst. EISENSTEIN Jawohl, ich gehe jetzt in meinen Arrest, als ob ich zu einem Lustgelage ginge! FALKE Was bringen Sie uns denn da, gnädige Frau? ROSALINDE Die Toilette für unseren Arrestanten. drückt Eisenstein den Hut auf den Kopf Ist dir der Hut recht? EISENSTEIN schleudert den Hut fort Warum nicht gar! Willst du denn einen Räuber aus mir machen? ROSALINDE Aber du befahlst ja Adele ... FALKE nimmt den Rock Und dieser Kittel! Wenn du den anlegst, lässt dich der Gefängnisdirektor gleich mit 25 bewillkommnen! ROSALINDE erschrocken Himmel! FALKE greift nach seinem Hute Gnädige Frau ... ROSALINDE Sie wollen uns schon verlassen? FALKE Es ist schon spät, und ich will dem Gefängnisdirektor, Herrn Frank, seinen neuen Hausgenossen anmelden. Ich werde dich dort erwarten, Freund Eisenstein! ab EISENSTEIN ruft ihm nach Meine Empfehlung an die Ratten! ELFTER AUFTRITT Rosalinde. Eisenstein. ROSALINDE An die Ratten!? EISENSTEIN Natürlich an die Ratten! Die Ratten illustrieren die Poesie des Kerkers. ROSALINDE Gerechter Gott, bei den Ratten wirst du einquartiert! EISENSTEIN Warum denn nicht? Es sind ja ganz possierliche Tierchen. Ich werde mich gut mit ihnen unterhalten. singt Juchheissa, hopsassa, trallala! ROSALINDE Aber jetzt ist doch nicht Zeit, juchheissa, hopsassa zu singen! EISENSTEIN Nein, denn es ist Zeit, an meine Toilette zu denken. ROSALINDE Toilette fürs Strafhaus? EISENSTEIN Natürlich! Falke meint, es sei leicht möglich, dass ich dort eine geschlossene Gesellschaft finde. küsst Rosalinde auf die Stirn Ich weiss, wie ich mich kleide In schwarzen Samt und Seide Mit einem Chapeau bas - Gleich bin ich wieder da! ab ZWÖLFTER AUFTRITT Rosalinde. Später Adele. ROSALINDE allein Der Mann ist ja wie ausgewechselt! Mir scheint, er freut sich ordentlich, eingesperrtzu werden. Wenn ich nur wüsste, was ich mit dem da unten anfangen soll? Ich habe geschworen, ihn zu empfangen, und wenn man einmal einen solchen schweren Schwur schwört, muss man diesen Schwur halten, sei es noch so schwer! ADELE bringt auf einer Platte einen Wildschweinkopf mit einem Rosenbukett im Rüssel Der "Löwe" schickt diesen wilden Schweinskopf. ROSALINDE Und du hast das Ungeheuer angenommen? ADELE Er hat sonst nichts vorrätig gehabt. ROSALINDE sinnend vor dem Schweinskopf So muss ich ihn denn annehmen? ADELE Freilich, ich habe ihn ja schon bezahlt! ROSALINDE ohne auf Adele zu achten Meinen Schwur muss ich halten. Empfangen werde ich ihn, aber nur, um ihn gleich wieder zu entlassen. Aber Adele muss ich mir aus dem Wege schaffen. laut zu Adele Nun, wie befindet sich denn deine alte kranke Tante nach der Eselspartie? ADELE I nu ... so so! Den Umständen angemessen ... ROSALINDE Sollte diese alte kranke Tante nicht ein junger, gesunder Vetter sein? ADELE Gnädige Frau, ich bitte recht sehr ... ROSALINDE Aber gleichviel, Tante oder Vetter, ich gebe dir den Urlaub ohne Fragezeichen. ADELE Wahrhaftig, gnädige Frau? Aber früher haben Sie mir ihn rundweg abgeschlagen? ROSALINDE Weil ich früher verdriesslich war, jetzt bin ich bei besserer Laune. ADELE Weil der gnädige Herr eingesperrt wird? ROSALINDE Mamsell Naseweis! ADELE Bitte um Verzeihung, gnädige Frau! DREIZEHNTER AUFTRITT Rosalinde. Adele. Eisenstein. EISENSTEIN in eleganter Balltoilette, parfümiert sich So die Haare Violet de Mars, die Wäsche Fleur d Orange! Jetzt habe ich nur noch den Frack zu wässern mit Eau de Cologne. Hast du nicht gehört, Adele? Eau de Cologne habe ich befohlen. ADELE holt einen Flakon EISENSTEIN sich bespritzend So, jetzt dufte ich anständig! ROSALINDE Und diese strenge Balltoilette hast du für die Gefangenen gemacht? EISENSTEIN Damit sie sehen, dass ich ihrer würdig bin! Diese Herren Spitzbuben pflegen uns gleich über die Achsel anzuschauen. Habt ihr nicht eine Rose, Kamelie oder ... bemerkt das Bukett im Rüssel des Schweinskopfes erlauben schon, Baron Wildschwein! befestigt die Rosen in seinem Knopfloch. ROSALINDE Unbegreiflich! EISENSTEIN Aber es ist Zeit. Leb wohl! ROSALINDE Wie? Ohne zu soupieren? EISENSTEIN Ich werde mit den Ratten soupieren. ADELE Und was geschieht mit dem Schweinskopf? ROSALINDE Bring ihn deiner armen kranken Tante! ADELE Tausend Dank, gnädige Frau! Das wird die arme Frau mit dem schwachen Magen recht erquicken! EISENSTEIN affektiert die Arme ausbreitend Rosalinde, meine teure Rosalinde! ROSALINDE bewegt in seine Arme stürzend Mein armer Gabriel? EISENSTEIN Süsse Träume mögen dich umgaukeln, während ich die ganze Nacht ruhelos durchwachen werde. macht Tanzschritte ADELE seufzt Wie traurig! EISENSTEIN In solcher Situation hat man nur die Wahl, entweder in Schmerz zu vergehen oder sich rasch voneinander loszureissen. Reissen wir uns los! ROSALINDE schluchzt Unmöglich! ADELE Probieren Sie es nur; vielleicht geht s doch! EISENSTEIN Ermanne dich, Weib, ermanne dich! Nr. 4 - Terzett ROSALINDE So muss allein ich bleiben Acht Tage ohne dich? Wie soll ich dir beschreiben Mein Leid so fürchterlich? Wie werd ich es ertragen, Dass mich mein Mann verliess? Wem soll mein Leid ich klagen? O Gott, wie rührt mich dies! Ich werde dein gedenken Des Morgens beim Kaffee, Wenn ich dir ein will schenken, Die leere Tasse seh. Kann keinen Gruss dir winken. Aus Jammer werd ich g wiss Ihn schwarz und bitter trinken! - Ach! EISENSTEIN O Gott, wie rührt mich dies! ALLE DREI O Gott, wie rührt mich dies! O je, o je, wie rührt mich dies! ROSALINDE Wo bleibt die traute Gruppe, Kommt Mittag dann heran? Beim Rindfleisch wie zur Suppe, Zum Braten - keinen Mann! Und sinkt der nächt ge Schleier, Gibt s wieder mir nen Riss, Mein Schmerz wird ungeheuer! ALLE DREI O Gott, wie rührt mich dies! O je, o je, wie rührt mich dies! EISENSTEIN Was soll das Klagen frommen, Den Kopf verlier ich schier, ROSALINDE Mein Kopf ist ganz benommen. ADELE den Schweinskopf nehmend Den meinen hab ich hier! EISENSTEIN Leb wohl, ich muss nun gehen. ROSALINDE Leb wohl, du musst nun gehen. ADELE Leb wohl, er muss nun gehen. ALLE DREI Doch bleibt ein Trost so süss ADELE Es gibt ein Wiedersehen, es gibt ein Wiedersehen! ALLE DREI O Gott, o je, wie rührt mich dies! Eisenstein tanzt ab. Adele folgt, während Rosalinde zurückbleibt. この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@ 藤井宏行 Strauss,Johann II/Die Fledermaus/I-3